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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A great little follow-up to the classic West Coast Jazz album recorded by Stan Getz – and like that one, a set to feature some great rhythm accompaniment from the trio of Lou Levy on piano, Stan Levey on drums, and Leroy Vinnegar on bass! The tracks are nice and open – with plenty of ... CD
Pure genius from Stan Getz – a set that's got an understated brilliance from the cover and title right down to the music in the grooves – and maybe one of the best-ever pairings of the tenor of Getz with the guitar of Jimmy Raney! The pair work here in a hip combo with Duke Jordan on ... CD
Stan Getz makes a key musical trip to Sweden – to showcase his affection for a jazz scene that had been growing strongly in the postwar years – often in directions that were similar to Stan's own sound at the time! The session is one of the first to pair Stan's tenor with a Swedish ... CD
A 60s album that collects earlier 10" sessions by Stan – one from 1949, and one from 1954! The 1949 sessions have Stan playing in a group with Terry Gibbs, Shorter Rogers, and George Wallington – on tunes that include "Michelle (parts 1 & 2)", "T&S", ... CD
Oft-overlooked album that's actually one of Getz's most far-reaching of the 60s! Recorded in the year before he got caught up in his bossa pop frenzy, the record shows Getz as a darkly toned modernist, weaving out complex solos over the album's extended suite "Focus", written and ... CD
An excellent one from Getz – recorded here as the lead soloist over backings composed by Eddie Sauter, designed to accompany the film Mickey One, an early directorial effort from Arthur Penn (and starring Warren Beatty as well!) The score has a very edgey quality to it, and Getz's playing is ... CD
A classic pairing of the tenor of Stan Getz and the gentle rhythms of the LA scene of the 50s – and a record that stands up beautifully over the years! Clearly, someone at Verve thought that Stan should get in on the bug for west coast jazz at the time – and although the date was ... CD
The title may be a bit strangely put – as "Steamer" isn't a word that we'd necessarily think to use with the gently flowing tenor tone of Stan Getz – but that doesn't stop the album from being a great one, and perhaps in Getz-like terms, it might well have a bit more steam ... CD
A lost late session by Stan Getz – and one of his greatest recordings of the 80s! The album's got the simple elegance of some of his best Verve work – with a group that features Stan on tenor, Kenny Barron on piano, George Mraz on bass, and Victor Lewis on drums. The combination of ... CD
Bill Evans meets Bill Evans – in a uniquely-styled session that features overdubbed solo lines from Bill, creating a multi-piano sound that's really great! The approach sounds gimmicky, but it's not – and Evans carries all the sensitivity you might expect from the title and image on ... CD
One of Oscar Peterson's biggest records ever – one of those albums we turn up time and time again when digging through classic jazz collections – and for good reason too, given the lasting power of the set! The album's got a rock-solid sound that's filled with soul – almost a bit ... CD