Various : Electro Throwdown – Sci-Fi Inter-Planetary Electro Attack on Planet Earth 1982 to 1989 (with bonus download) (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Electro Throwdown – Sci-Fi Inter-Planetary Electro Attack on Planet Earth 1982 to 1989 (with bonus download)

LP (Item 189967) Soul Jazz (UK), Mid 1980s — Condition: New Copy
2LP Gatefold
List Price: 39.99
Mighty nice work from a time when computers and aliens took over soul music – the glory days of the Linndrum beats and vocoder vocals – a special time in the 80s when the underground got really electrified, and helped build a bridge between street funk, hip hop, and the coming world of techno! These are very electrified tracks – as you might guess from the title – and most of the numbers here go much deeper than some of the bigger break dance cuts from the time – no surprise, really – given the depth we always expect from a Soul Jazz compilation! Much of the work here has not been reissued over the years – and titles include "Fix It In The Mix" by Pretty Tony, "I'm The Packman" by The Packman, "Boogie Troids" by The Troids, "Time To Throw Down" by Rickie Clark Company, "ET Boogie" by Extra T's, "Professor X (saga)" by Professor X, "Invasion From The Planet Detroit" by Planet Detroit, "Planetary Deterioration" by Ozone Layer, "All Systems Go" by Jazaq, "Killer Groove" by Rich Cason, and "We Are The Jonzun Crew" by The Jonzun Crew.  © 1996-2024, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Soul Jazz (UK), Late 1960s/Early 1970s. New Copy 2LP Gatefold
A heady dip into the glorious work of soul music from Miami – the city that took the reigns for southern soul after initial waves of creativity in Memphis and Muscle Shoals! Miami's best known for its big disco hits of the mid 70s, but most of the music here is from the years before then ... LP, Vinyl record album
Soul Jazz (UK), 1970s. New Copy 2LP Gatefold
A set with old school breakdancers on the cover, but one that features music from the generation before – a whole host of 70s funky nuggets, all of which might provide the right sort of beats and grooves for spinning on a piece of linoleum on the sidewalk! There's just a slight touch of hip ... LP, Vinyl record album
Soul Jazz (UK), Early 1980s. New Copy 2LP
The resurgence of one of the most groundbreaking periods in recent groove history – the almost-forgotten post-punk years in England, a time of incredible musical convergence! In the heady days of the early 80s – a time when much music was being lost under a gloss of big hair, tinny ... LP, Vinyl record album
BBE (UK), 1970s. New Copy 2LP Gatefold
A completely sublime collection of spiritual jazz numbers from the 70s – put together by the legendary Kev Beadle, one of the first cats to spin the music with Gilles Peterson on the UK scene! The package is a great mix of essentials from years back, plus some under-discovered nuggets from ... LP, Vinyl record album
Soul Jazz (UK), 1970s/Early 80s. New Copy 2LP
A really cool collection – one that's maybe best summed up by the word "ecstatic" in the title – as the package presents a blend of work from artists who easily skirt both the spiritual and secular side of soulful music, united together with a very joyous, uplifting vibe in ... LP, Vinyl record album
Cuca/Numero, Late 1960s. New Copy 2LP Gatefold
A treasure trove of overlooked soul tracks from the scenes in Wisconsin and Chicago back in the day! The legendary Midwest label Cuca is maybe best known for a string of great rock recordings in the 60s – searing instrumentals and raw garage tracks that firmly established their name with ... LP, Vinyl record album
Perfect Toy (Germany), Late 1960s/Early 1970s. New Copy
A great set of work from a space between the genres – music that's often by rock groups, but who have a very soulful sort of sound – serving up tunes that are sometimes their own take on soul hits of the time, sometimes original material – and always with the sort of funk and soul ... LP, Vinyl record album
Athens Of The North (UK), Late 60s/Early 70s. New Copy
Igloo Records was a teeny tiny label on the LA scene of the early 70s – but all of its releases turned out to be killers – most handled by the hip-looking Leon Gardner on the cover! The music is often heavy with the kind of deep funk you'd expect from rare singles at the time – ... LP, Vinyl record album
BBE (UK), 2000s/2010s. New Copy 2LP Gatefold
You might not know If Music, nor the Handson Family – but don't worry about that, and just dive into the collection – as it's overflowing with fantastic contemporary cuts that mix spacey sounds, jazzy instrumentation, and some really far-out grooves! There's a definite London vibe ... LP, Vinyl record album
BBE (UK), Early 70s. New Copy 2LP Gatefold
Incredible rare jazz from the Japanese scene of the 70s – all hand-picked by DJ Muro, one of the coolest talents on the contemporary scene in Tokyo! The set's a bit of a shift from other collections of this nature – as it focuses a bit more on tracks that are funky than those that are ... LP, Vinyl record album
Now Again/Stones Throw, Late 1960s/Early 1970s. New Copy 2LP (reissue)
A now-legendary compilation – an early effort to reissue funk on the Stones Throw label – and a set that virtually gave birth to all the fantastic projects they've done under the Now Again banner over the years! Compiler Egon has gone through a range of rare singles, masters, and demos ... LP, Vinyl record album
BBE (UK), Late 1970s/Early 1980s. New Copy 3LP Gatefold
The great Andy Smith has been giving us killer compilations for more years than we can count – but it also feels like he's really outdoing himself with this Disco Wonderland series – showing us that there's still such a huge amount of music to discover when you get past the mainstream ... LP, Vinyl record album
 



⇑ Top