A great album of mellow soul tracks from Curtis Mayfield – laidback, slinky, and almost to his earlier work what Let's Get It On was to the early 70s career of Marvin Gaye! The album's got a warm, soulful vibe that's totally great – not as all-out funky or politically righteous as before, and instead more deeply personal, and almost intimate at times – in a way that really lets Curtis open up with those fragile and heartbreaking vocals that made his 60s work so great. The restraint here is totally great – another mid 70s masterpiece from arranger Rich Tufo – and at times, Mayfield hits a similar mode to some of Leroy Hutson's best Curtom work from the time! Titles include "Just Want To Be With You", "All Night Long", "When We're Alone", "I'm Gonna Win Your Love", "Sparkle", "Never Say You Can't Survive", and "Show Me Love". (Cover has a cutout notch.) © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.