This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can
request a return
for a full refund.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or packaging details,
or an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
case/insert damage or wear, or strictly cosmetic flaws.
Tracks include "I Can't Be Satisfied", "Trouble No More", "Rollin' Stone", "Forty Days And Forty Nights", "Mannish Boy", and "Long Distance Call" – 24 tracks in all. CD
Killer work from James' late 60s period – the time when he was working with the Pee Wee Ellis/Maceo James Brown Band, and developing some of his most crucial conceptions of funkiness. The 2 CD set is filled with nice extra bits – like extended versions of tracks you might already know, ... CD
Christy Doran on guitar, Hans-Peter Pfammatter on keyboards, Vincent Membrez on minimoog, Dominik Burkhalter on drums, and vocals from Bruno Amstad. CD
A real step forward for saxophonist Muriel Grossmann – as the set seems to have a new sort of fire that wasn't there on her debut – as Grossmann and quartet open up to embrace the world of modal rhythms! The tunes here all have this fantastic sense of pulse – energy that comes ... CD