This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Includes the songs "Sunday After School ", "Wake In Good", "Step Up Action", "Grand Blue", "Mr. Dharma", "Taste Of Wind", "Good Moon", "Forget Me Not", "Tokyo Train", and "Be Ambitious". CD
Includes the songs "Athlete", "Orange", "Smile", "You Are An Esper", "Panther", "Sho-Jo-Ji", "Yellow Bird", "Pink Promenade ", "Center Street", and "Drops Of Sound ". CD
Maybe the title's a bit overly-optimistic – but with a record like this, you can certainly imagine a world in which everybody does like Hampton Hawes! The record's the third in a legendary early run for the Contemporary label – trio material that broke Hawes out of the box and firmly ... CD
One of the most far-reaching, exploratory records cut by Booker Ervin during the 60s – a set that really lives up to the "freedom" in its title! The album really takes off from some of Ervin's other work of the time – and stands along next to the equally-great Space Book as a ... CD
A classic set that brings the east coast tenor of Sonny Rollins into contact with a west coast rhythm section of Ray Brown and Shelly Manne! Despite Rollins' silly look on the cover, and the album's overall "western" theme, the session's a brilliant one – right up there with Sonny's ... CD
A lost treasure – finally brought back to light! The album features previously unissued material by the team of Art Pepper and Warne Marsh – tracks recorded back in 1956 for Contemporary records, but only issued many years later as part of the Complete Contemporary project for Pepper's ... CD
An underrated 70s effort from Sonny Rollins, featuring him fronting a dynamite group with Stanley Cowell and Mtume at the height of their Afro-centric electric jazz period. Longtime sideman Bob Cranshaw plus David Lee round out the rhythm section, and this is one of Rollins' LPs featuring the ... CD
A killer record from bassist Paul Brusger – a set that features plenty of great work from Eric Alexander on tenor and alto – the latter an instrument that he's really begun to embrace in recent years! The rest of the group is wonderful too – Steve Davis on trombone, Rick ... CD
A really incredible album – a set that's filled with far more soul and feeling than you might guess from the youthful image on the cover! Matthew Halsall's a pretty young player, but his sound here is really amazing – not just on his own trumpet solos, but on the overall feel of the ... CD
Part of a fantastic legacy in spiritual jazz – music that was almost overlooked at the time, but went on to become the start of both a big wave of new energy on the UK scene of trumpeter Matthew Halsall, and a whole global generation as well! The album is Halsall's second, and follows ... CD
Possibly the first true moment of genius from Paul Bley – a key indie standout after a few years working for bigger American labels! By the time of this early ESP album, Paul Bley was no stranger to the American scene – having recorded a few records for different labels in the 50s, and ... CD