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Unit Structures
LP (Item 1885) Blue Note, 1966 — Condition: Good$19.99 ...
LP, Vinyl record album
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Also available
Cecil Taylor — Unit Structures ... CD 6.99
Cecil Taylor — Unit Structures (180 gram pressing) ... LP 25.99
Cecil Taylor — Unit Structures (UHQCD pressing) ... CD 18.99
Cecil Taylor — Unit Structures ... CD 6.99
Cecil Taylor — Unit Structures (180 gram pressing) ... LP 25.99
Cecil Taylor — Unit Structures (UHQCD pressing) ... CD 18.99
One of a rare few albums done by pianist Cecil Taylor for the Blue Note label in the 60s – some of the most outside work recorded for the imprint at the time! The word "structures" here is perhaps a bit misplaced – as the work has a strong sense of freedom with the soloists – who operate based on a system of energy and impulses described by Taylor in the notes, at a level that's maybe one of his most inventive, ambitious expressions of the decade! The whole lineup is great – with especially strong horn work from Eddie Gale on trumpet, Jimmy Lyons on alto, and Ken McIntyre on alto, oboe, and bass clarinet – and Taylor's piano gets accompaniment from two groundbreaking bassists – Henry Grimes and Alan Silva – plus drums from Andrew Cyrille. Given the lineup, and the format, the whole thing almost feels more like one of the BYG/Actuel avant sessions than Blue Note in the 60s – and titles include "Steps", "Enter Evening (Soft Line Structure)", "Unit Structure/As Of A Now/Section", and "Tales (8 Whisps)". © 1996-2024, Dusty Groove, Inc.
(Mono New York pressing, with Van Gelder stamp. NOTE – Vinyl has a dent and will skip on the first track, but the rest is vg+ – Cover has light wear, tiny spot of pen.)
(Mono New York pressing, with Van Gelder stamp. NOTE – Vinyl has a dent and will skip on the first track, but the rest is vg+ – Cover has light wear, tiny spot of pen.)
Good
- A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
- Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
- In most cases, a poor quality copy of a very difficult to find record.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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