Martin Lopez Y Su Estrellas : Cocinando (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Cocinando

LP (Item 187995) Mag/Vampi Soul (Spain), Late 1960s/Early 1970s — Condition: New Copy
(reissue)
List Price: 34.99
Peruvian grooves from Martin Lopez and his combo – music that's got a Latin sound at its core, but which comes off with lots of weird twists and turns as well! As with most Peruvian takes on Latin sounds from up north, there's a nice mixing up of modes going on here that really makes the whole thing nice and fresh – not just New York, Havana, Colombian, or Puerto Rican styles – but a weird hybrid of all of them, served up with some of the more electric experiments going on in Peru at the time. The music's never really psychedelic, but definitely has a knowledge of that world – especially in the tones of the guitar, and the way the tunes are produced – often a lot more trippy than you might expect. The album's the first full length release ever by Martin – and compiles rare singles from the years 1969 to 1971 – titles that include "Mira", "Pimpollito", "Cocinando", "Sonero", "La Verdad Desnuda", "El Botecito", "Por Que No Te Quedas", and "Mi Razon De Vivir".  © 1996-2024, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Mag/Vampi Soul (Spain), Late 1960s/Early 1970s. New Copy 2LP
Maybe the coolest collection of work we've ever seen from the legendary Mag Records label from Peru – a really unique imprint that always had a way of serving up a slightly different take on more familiar styles! Here, as you'd guess from the title, the focus is on Latin Soul and boogaloo ... LP, Vinyl record album
Mag/Vampi Soul (Spain), Late 1960s/Early 1970s. New Copy 2LP
Maybe the coolest collection of work we've ever seen from the legendary Mag Records label from Peru – a really unique imprint that always had a way of serving up a slightly different take on more familiar styles! Here, as you'd guess from the title, the focus is on Latin Soul and boogaloo ... LP, Vinyl record album
Vampi Soul (Spain), Late 1960s/Early 1970s. New Copy 2LP
The great Bobby Marin is kind of a secret star of Latin music – not nearly as well-publicized as some of the bigger names on the front cover of records on labels like Fania, Alegre, or Cotique – but one with a stunning legacy of music on his own as both an artist and producer! Bobby ... LP, Vinyl record album
Vampi Soul (Spain), 1970s/Early 1980s. New Copy 2LP
Really incredible work from Litto Nebbia – a sometimes-overlooked Argentine artist from the 70s, and one who's got the genius of Brazilian contemporaries like Marcos Valle, Edu Lobo, or Arthur Verocai! As with all three of those giants, Litto's music exists in a space that's all its own ... LP, Vinyl record album

Tito Chicoma

Cumbias Y Boogaloos
Mag/Vampi Soul (Spain), 1968. New Copy (reissue)
Trumpeter Tito Chicoma's in great territory here – hard-swinging late 60s Latin grooves, all somewhat in the mode of early work from the great Bobby Valentin! As with Valentin during his trumpet playing years, Tito's set up here with a fair bit of boogaloo grooves – Latin soul sounds ... LP, Vinyl record album

Tito Chicoma

Cumbias Y Boogaloos
Mag/Vampi Soul (Spain), 1968. New Copy (reissue)
Trumpeter Tito Chicoma's in great territory here – hard-swinging late 60s Latin grooves, all somewhat in the mode of early work from the great Bobby Valentin! As with Valentin during his trumpet playing years, Tito's set up here with a fair bit of boogaloo grooves – Latin soul sounds ... LP, Vinyl record album
El Palmas (Spain), 1979. New Copy (reissue)
A supreme salsa set from the late 70s scene in Venezuela – and one of those albums that can go head to head with anything the New York scene was serving up at the time! The album has these tremendous vocals, including leads from the overlooked giant Larry Francia – a soulful singer ... LP, Vinyl record album
Codiscos/Vampi Soul (Spain), Late 1960s/1970s/Early 1980s. New Copy 2LP
The triple use of "cumbia" in the title is very well-put – as this package is overflowing with classic cuts in the famous Colombian genre – all pulled from the wide-ranging catalog of the Codiscos label – a company who was only second to Discos Fuentes in turning up the ... LP, Vinyl record album
Codiscos/Vampi Soul (Spain), Late 1960s/1970s/Early 1980s. New Copy 2LP
The triple use of "cumbia" in the title is very well-put – as this package is overflowing with classic cuts in the famous Colombian genre – all pulled from the wide-ranging catalog of the Codiscos label – a company who was only second to Discos Fuentes in turning up the ... LP, Vinyl record album
Codiscos/Vampi Soul (Spain), Late 1960s/1970s/Early 1980s. New Copy 2LP
The triple use of "cumbia" in the title is very well-put – as this package is overflowing with classic cuts in the famous Colombian genre – all pulled from the wide-ranging catalog of the Codiscos label – a company who was only second to Discos Fuentes in turning up the ... LP, Vinyl record album
Vampi Soul (Spain), 2005. New Copy
Joe Bataan is alive and well – and to our ears, the king of Latin Soul is sounding better than he has in decades! This tasty little set really takes us back to Joe's classic work for Fania – but it's also got a slightly different twist – one that shows a new younger appreciation ... LP, Vinyl record album
Discos Fuentes/Vampi Soul (Spain), 1973. New Copy (reissue)
Killer work from one of the most unique combos in Latin music – a Colombian group who are clearly trying to go for a funky Latin groove, ala Chakachas – but who also bring in some of the coolest elements from Peruvian music and other South American scenes at the time! Percussion is ... LP, Vinyl record album
 



⇑ Top