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Dee Dee Bridgewater (1976)

LP (Item 18763) Atlantic, 1976 — Condition: Near Mint-

Dee Dee Bridgewater's first album as a soul singer – recorded a few years after she first broke on the scene as a righteous jazz vocalist on hip early 70s classics! The sound here is different than the material Bridgewater started with, but still plenty great from a soul perspective – tightly-crafted, sophisticated work that features both uptempo and mellow cuts – in a mode that's quite similar to the Columbia work of Marlena Shaw – another former jazz vocalist who made a 70s shift to soul. Production is by Gene Page, Jerry Wexler, and Stephen Scheaffer – and the set was recorded in a variety of different setting that spin out over the course of the tracks. We're most partial to the mellow cuts – which trip along with some great spacey edges – and titles include a great version of "He's Gone", plus "My Prayer", "You Saved Me", "Goin Through The Motions", "It Ain't Easy", and "Every Man Wants Another Man's Woman".  © 1996-2019, Dusty Groove, Inc.
(Cover has light wear, a sticker spot, and some marker.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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