Malachi Thompson with Gary Bartz : Rising Daystar (CD) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Rising Daystar

CD (Item 186863) Delmark, 1999 — Condition: New Copy
$3.99 ...

CD

List Price: 13.99
One of those key 90s albums that has trumpeter Malachi Thompson giving an older spiritual jazz star a showcase that's maybe better than they've had in years – in this case, the great Gary Bartz, who blows alto and soprano throughout – helping Thompson hit some of the same soaring modes that he reached when working with Billy Harper! The album's really out of time – much more of a 70s spiritual session overall, and one that unfortunately was initially only ever issued on CD – with a great core group that also features Kirk Brown on piano, Harrison Bankhead on bass, and Nasar Abadey – plus occasional added work from Steve Berry on trombone, Tony Carpenter on percussion, and the great Dee Alexander on vocals. Alexander sings on "Surrender Your Love" – and other titles include "Mansa", "Nefertiti", "Song For Morgan", "Circles In The Air", and "Busy Little Fingers".  © 1996-2024, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Evergreen Classic Jazz Band

Early Tunes 1915 to 1932
Jump/Delmark, 2014. New Copy
CD...$0.99 13.99
The evergreens here go way back – tunes from the earliest years of jazz, served up by a Seattle combo with a real dedication to their work! The group's an octet, led by bassist Tom Jacobus, who also plays tuba at times – and other players include Jake Powel on soprano and alto, Craig ... CD

Art Hodes

Up In Volly's Room
Delmark, 1972. New Copy
CD...$0.99 13.99
One of the most beautiful Delmark albums recorded by pianist Art Hodes – a set that begins with two duets with bassist Truck Parham, then opens up the door to bring in Barrett Deems on drums and Volly DeFaut on clarinet – the last of whom is a really under-discovered Chicago player, ... CD

Humphrey Lyttelton

Humphrey Lyttelton In Canada
Sackville/Delmark, 1983. New Copy
CD...$0.99 13.99
A set that's a real surprise from UK trumpet legend Humphrey Lyttleton – in part because it was recorded in Canada, late in his career – but also in part because it features players not always associated with the trad jazz that Humph usually played – which changes things up nicely! ... CD

Kalaparush Maurice McIntyre & The Light

Morning Song
Delmark, 2003. New Copy
A beautiful later Delmark album from Kalaparush Maurice McIntyre – one that has all the vivid creative energy of his classic sessions for the label from the 60s! The setting continues McIntyre's work with The Light – a duo of tuba and drums, which makes for some mighty unusual sounds ... CD

Lin Halliday with Ira Sullivan

East Of The Sun
Delmark, 1991/1992. New Copy
CD...$1.99 13.99
One of the few albums recorded by Lin Halliday – an underground Chicago legend, but one who never left the city for bigger fame – and instead spent most of his career blowing soulful tenor in broken down clubs on the north side of the city! This set is one of the key efforts to ... CD

Jodie Christian

Rain Or Shine
Delmark, 1994. New Copy
CD...$0.99 13.99
A really great later date from Chicago pianist Jodie Christian – a musician whose roots go back to some early work in the Young Holt Ulimited group! Here, Jody leads a wonderful group through some nicely soulful changes – a lineup that features surprising straight work from Roscoe ... CD
Delmark, 1978. New Copy
CD...$1.99 13.99
One of the few American albums cut by saxophonist Chris Woods – a wonderfully talented player who cut some of his best work in Paris during the early 70s! The album captures some of the charm of Woods' best European records – with a lightly dancing groove on the best tracks, one that ... CD

Tab Smith

Ace High
Delmark, 1952/1953. New Copy
CD...$1.99 13.99
The great Tab Smith was one of the key saxophonists to bridge the worlds of jazz and R&B in the postwar years – a player every bit as great as bigger names like Willis Jackson, Big Jay McNeeley, and other giants of the field! Tab recorded for Chess, but served up some of his best work ... CD

Norrie Cox & The New Orleans Stompers

Live At Illiana
Delmark, 2002. New Copy
CD...$0.99 13.99
Clarinet player Norrie Cox heads up a tight set of contemporary trad – recorded with much longer tracks than you'd find on vintage 78s – which allows plenty of room for solos from the members of the septet! The group features work from Butch Thompson on piano, Jim Klippert on trombone, ... CD

Various

Jazz Ltd Vol 1
Delmark, 1949/1951. New Copy
CD...$0.99 15.99
An amazing look at Jazz Ltd – an important outlet for trad jazz in Chicago during the postwar years – and a venue that offered up a crucial residence for a sound that was already beginning to fade in the Windy City! The music here is from the prime early days of the club, and shows the ... CD

Tyshawn Sorey

Susceptible Now
PI Records, 2024. New Copy
Very spacious work from drummer Tyshawn Sorey – a trio date, with three very long tracks – all of which are also a stunning showcase for the work of Aaron Diehl on piano! The tracks have this sense of blockiness that really builds up over time – very melodic, but with lots of ... CD
Aguirre (Belgium), 2022. New Copy 2CDs
Guitarist Jeff Parker left our fair city of Chicago a number of years ago, headed out to the sunny climes of LA – where he's not only really opened up his music, but also helped contribute a heck of a lot to the local scene as well! Both of those aspects of Parker's development are showcased ... CD
 



⇑ Top