Various : Synthesizing The Silk Roads – Uzbek Disco, Tajik Folktronica, Uyghur Rock, & Crimean Tatar Jazz From 1980s Soviet Central Asia (with bonus download) (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Synthesizing The Silk Roads – Uzbek Disco, Tajik Folktronica, Uyghur Rock, & Crimean Tatar Jazz From 1980s Soviet Central Asia (with bonus download)

LP (Item 186760) Ostinato (UK), 1980s — Condition: New Copy
2LP
❔
Rare grooves from the final decade of the Soviet Union – a set of work from the Central Asian provinces, presented here in a very cool mis-mash of Mid-Eastern modes and more 80s based instrumentation! The keyboards on the cover are here in full effect, and there's definitely plenty of sounds from the digital generation – but, maybe given the lag time of getting western culture to the Soviet scene, there's also some surprising late 70s vibes on some tracks too – kind of a blend of disco and electro that's mighty cool! And yes, you won't be able to understand the lyrics, but there's plenty of great notes to illuminate the sounds – and the instrumental elements here speak volumes – on titles that include "Sen Qaidan Bilasan" by Original, "Tantsuyushchi" by Angelina Petrosova, "Meyhane" by Efsane, "Ya Zdala TEbya" by Makhifirat Khamrakulova, "Aarezoo Gom Kardam" by Nasiba Abdullaeva, "Paidot Karam" by Khurmo Shirinova, "Lola" by Bolalar, and "Guzal" by Ismail Jalilov.  © 1996-2024, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Ferkat Al Ard

Oghneya
Habibi Funk (Germany), 1979. New Copy (reissue)
The music of Lebanon never got much global exposure during the 70s – but it's clear that Ferkat Al Ard was bringing plenty of the globe's influences to play on this amazing record – mixing together bits of electric funk, Brazilian jazz, and soulful strings at a level that completely ... LP, Vinyl record album
Honest Jons (UK), 2024. New Copy 2LP Gatefold
A stunning set of sounds from the farther reaches of Ecuador – a province where ancient musical elements come together with more localized expressions – all at a level that makes the work here a real lost link in Afro-Caribbean cultures! Many of the tracks use marimba, but in ways that ... LP, Vinyl record album
Matsuli (UK), 1974. New Copy (reissue)
One of the most compelling albums we've heard from the African scene of the 70s – a rare set from a Soweto group, and one that's got a heavy dose of spiritual jazz in the mix! The album almost feels more like the kind of set you'd hear by a Paris group, extrapolating African sounds in the ... LP, Vinyl record album

Malombo Jazz Makers

Down Lucky's Way
Continental/Tapestry (UK), 1969. New Copy (reissue)
A really breakthrough record from this famous South African group – and one that marks a key shift in their instrumentation, and a style that's a lot more jazz-based than before! The Lucky here is guitarist Lucky Ranku – whose long, snakey lines on the guitar resonate with some slight ... LP, Vinyl record album

Malombo Jazz Makers

Down Lucky's Way
Continental/Tapestry (UK), 1969. New Copy (reissue)
A really breakthrough record from this famous South African group – and one that marks a key shift in their instrumentation, and a style that's a lot more jazz-based than before! The Lucky here is guitarist Lucky Ranku – whose long, snakey lines on the guitar resonate with some slight ... LP, Vinyl record album

Maalem Houssam Gania

Dead Of Night
Hive Mind (UK), 2024. New Copy
A lean take on Moroccan music in the gnawa tradition – a set that's got a very spare vibe, as it just features vocals and guimbri from Maalem Khoussam Guinia, recorded with a beautifully crisp sound that resonates outward in a beautiful way! Maalem plays the strings of his instrument with ... LP, Vinyl record album
Death Is Not The End (UK), Late 1940s/1950s. New Copy
Hypnotic postwar sounds from the scene in Thailand – music from two different genres that each represent different slices of the culture – one a bit more rural and folkloric, the other more aimed towards ears that appreciate some of the sounds of western pop recordings! To our ears, ... LP, Vinyl record album
Death Is Not The End, Late 50s/Early 60s. New Copy
Stunning sounds from Iranian pianist Morteza Mahjubi – an artist who tunes his instrument in all these very unique ways – so that the strings and the keys come together in ways that are unlike anything at all you'd hear in the west! At times, the instrument almost feels more like a ... LP, Vinyl record album
Knitting Factory, 1976. New Copy
The album begins with the side-long "Kalakuta Show" – one of the most powerful tunes ever recorded by Fela Kuti, as it describes a police attack on his compound and all the violence that followed – but all while Tony Allen and Africa 70 serve up these amazing riffing grooves ... LP, Vinyl record album
Knitting Factory, 1975. New Copy (reissue)
A real classic from the great Fela Kuti – a seminal mid 70s record that not only shows his impeccable sense of rhythm, but also his sense of rage as well! The title track – "Expensive Sh_t" – is Fela's answer to the time that he got busted for dope, and was forced to ... LP, Vinyl record album

TP Orchestra Poly Rythmo De Cotonou

Afro Funk
Albarika Store/Acid Jazz (UK), Late 70s. New Copy
An album that really lives up to its title, and one that brings together a host of rare singles from this legendary group – all of which are maybe even funkier than some of the tracks on their albums of the time! The bulk of the record is from very rare 7" singles issued on the Albarika ... LP, Vinyl record album

TP Orchestra Poly Rythmo De Cotonou

Afro Funk
Albarika Store/Acid Jazz (UK), Late 70s. New Copy
An album that really lives up to its title, and one that brings together a host of rare singles from this legendary group – all of which are maybe even funkier than some of the tracks on their albums of the time! The bulk of the record is from very rare 7" singles issued on the Albarika ... LP, Vinyl record album
 



⇑ Top