This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A five record collection that captures trumpeter Freddie Hubbard at a real turning point – taking off in the 60s with a range of fresh new ideas! Open Sesame is an early hardbop session that features some great work by Tina Brooks on tenor, piano by McCoy Tyner, and rhythm from the team of ... CD
Quite an unusual session for trumpeter Freddie Hubbard – a set done during his early run of albums for Blue Note, but one that's got some much darker, more modern qualities than the rest! The music here almost verges on some of the "new thing" material of the period on the label ... CD
An amazing second CTI set from Freddie Hubbard – one that takes off nicely from Red Clay territory, and starts to hit an even funkier mode! The tracks here are all relatively long, with a huge amount of solo space for Freddie on trumpet, Joe Henderson on tenor, George Benson on guitar, and ... CD
Amazing work from Freddie Hubbard – one of his best albums ever! The title cut's a classic, but all cuts on the album are great – and really set a whole new standard for soul jazz in the 70s! Unlike the freer runs of Miles Davis, Freddie takes things into territory here that's open, ... CD
A rich, warm session from French tenor giant Guy Lafitte – one of the most soulful players to come out of the Paris scene of the postwar years, and a player with a sound that's somewhere between Coleman Hawkins and Ben Webster! Lafitte's really in his element here – blowing wonderfully ... CD
James Mood on saxophones and flute, Marc Cohen on piano and synth, Todd Coolman on bass, Akira Tana on drums, and special guest Dizzy Gillespie on trumpet and vocals. CD
Nine tracks from Jimmy Greene, Jon Gordon, John Wojciechowski, Thelonious Monk Institute Of Jazz Performance Ensemble, and Wayne Shorter & Herbie Hancock. CD
Features music from Dizzy Gillespie and his Orchestra, 52nd Street All Stars, Kenny Clarke and his 52nd Street Boys, Lucky Thompson and his Lucky Seven, and Coleman Hawkins and his Orchestra – 21 tracks in all. CD
Creative sounds from alto saxophonist Steve Coleman – working here with his Five Elements group, at a time that was one of his most productive! The group have an angular sort of swing – a style that certainly grows out of some more exploratory moments in 80s mainstream jazz, yet which ... CD
Very nice stripped-down set by Tony Scott – one of the most overlooked reed players of the 50s, and an artist who ventured into much more hippy-dippy oriented material during the 60s. The set supposedly features "both sides" of Scott's work – but it's really only a simple ... CD