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Aretha Now

LP (Item 18593) Atlantic, 1968 — Condition: Very Good
Temporarily Out Of Stock

LP, Vinyl record album

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One of a handful of crucial early Aretha Franklin albums for Atlantic – and a key example of her genius pairing with arranger Arif Mardin! Instrumental backing is by a hard burning Memphis/Muscle Shoals lineup that includes Spooner Oldham on electric piano and organ, Tommy Cogbill on guitar, Andrew Love and Charles Chalmers on tenor, Wayne Jackson on trumpet, and Roger Hawkins on drums – and even Aretha herself gets to play a bit of piano on the set. But the really amazing thing here is the way that this core live mode of backing is also given some airier, loftier overtones by Mardin and co-arranger Tom Dowd – in a way that lifts up the tunes a bit more, and pushes them away from straight indie southern soul – into the range of greatness that made Franklin stand apart from most of her contemporaries. A key example of this is the album's seminal reading of "I Say A Little Prayer" – but all cuts are great, and other tunes include "Think", "A Change", "You're A Sweet Sweet Man", "I Take What I Want", "See Saw", "Hello Sunshine", and "You Send Me".  © 1996-2020, Dusty Groove, Inc.
(Red & green Broadway label pressing. Cover has a small cutout hole.)

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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