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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The film was one of the biggest porno success stories of the 70s – but the music isn't all that sexy! Oddly, most of the score is written pretty darn well – with lots of larger orchestral conceptions carried off nicely by Frank Owens on piano, over backings by either Peter DeAngelis or ... LP, Vinyl record album
A real killer from Earland! The record swings incredibly hard, with a tight jazzy groove that sounds like his early work for Prestige from the first few albums. The band includes lesser known players like trumpeter Elmer Coles, alto player James Vass, and conga player Kenneth Nash – but ... LP, Vinyl record album
Unlike the mellower Breeze from the East LP (another Tjader "eastern" session), this one's got some very lively Latiny stuff – despite the orientalist theme of the LP. There's a monster version of Horace Silver's "Tokyo Blues", plus takes of Lalo Schifrin's "The ... LP, Vinyl record album