CD, LP, Vinyl record album cover art
View larger image       Image note

Jubilee Shouts (Comin Your Way/Jubilee Shout)

LP (Item 1826) Blue Note, 1962/1978 — Condition: Very Good
2LP Gatefold
$4.99 ...

LP, Vinyl record album

(€4.38 || £3.24 || ¥597) (approx.)
4.70 5

A pair of great unreleased Stanley Turrentine albums for Blue Note – issued here for the first time ever! First up is Comin Your Way – one of our favorite-ever albums from the great Stanley Turrentine – a really hard-burning session from his earliest days as a leader – and one of the key dates he cut with his brother Tommy Turrentine on trumpet! Both players are wonderful – a sharply soulful team coming off of work with the Max Roach group, but even more confident and powerful as soloists here on this Blue Note session, where they really get to shine! Horace Parlan plays piano, and blocks out grooves that are perfect for each brother to really take flight on their solos – and although the album was originally unissued at the time it was recorded, it's gone onto become a key building block in Stan's legendary catalog. Titles include "Fine Lil' Lass", "Stolen Sweets", "Thomasville", and "My Girl Is Just Enough Woman For Me". Next is Jubilee Shout – a great example of the sheer raw power that Stan had in his tone before it got watered down by his pop-jazz recordings of the later 60s – a sharp edge and way of phrasing that's simply amazing – filled with soulful tradition, yet never prone to any of the cliches of contemporaries like David Newman or Don Wilkerson. The group here is a great one too – a sextet with the amazing Tommy Turrentine on trumpet, punching up some very sharp lines next to stan – plus Kenny Burrell on guitar, Sonny Clark on piano, Butch Warren on bass, and Al Harewood on drums. Titles are a killer batch of spiritual-oriented soul jazz numbers like "Brother Tom", "Jubilee Shout", "My Ship", "Cotton Walk", and "You Said It". (Cover has a cut corner.)  © 1996-2015, Dusty Groove, Inc.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.

You might be interested in

CD, LP, Vinyl record album cover art
Rough & Tumble
Blue Note, Late 60s. Very Good+
A great album – with a really swinging groove! Stanley's soulful horn is set in a slightly larger group, in the style that would dominate his later years for the Blue Note label. Duke Pearson arranged the set, and players include James Spaulding, Blue Mitchell, Grant Green, Pepper Adams, ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Blue Note, 1976. Very Good+ 2LP Gatefold
An overlooked gem from Blue Note – a special live performance that brings together some of the label's funkiest and most soulful artists of the 70s! The set's somewhat unusual for Blue Note at the time – especially given the label's increasingly studio-driven approach to jazz, with ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Bottoms Up!
Blue Note, 1959. Very Good+
The bottom is certainly "up" on this one – as the Three Sounds groove things from the ground up, taking soul jazz piano to the next level with an approach that quickly made them one of the most popular Blue Note acts of the early 60s! Gene Harris leads the group on piano – ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Sidney Bechet Vol 1
Blue Note, Late 40s. Near Mint-
Blue Note LP compiling a number of 78rpm sides recorded for Blue Note by the great Sidney Bechet. Players include Wild Bill Davison, Art Hodes, Walter Page, and Fred Moore – and titles include "Shine", "Fidgety Feet", "Sister Kate", "China Boy", "C ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Say It Loud!
Blue Note, 1968. Very Good Gatefold
One of the greatest Blue Note funky jazz sets of the late 60s – an all-out soul fest headed up by funky Lou Donaldson, and featuring some incredible work on drums from Idris Muhammad – who was still calling himself Leo Morris at this point! Muhammad's work on the drums is fantastic ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Blue Note, 1960. Very Good
"Moods" is right – as the album's got a wonderfully dark undercurrent, one that makes it one of the most captivating early Three Sounds albums for Blue Note! Pianist Gene Harris leads a trio that includes Andrew Simpkins on bass and Bill Dowdy on drums – and even though the ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Fabulous Sidney Bechet
Blue Note, Early 50s. Near Mint-
Trad tracks from Sidney – recorded for Blue Note during the years 1951 and 1953, and originally issued on 10" LPs. Players include Sidney De Paris, Pops Foster, Don Kirkpatrick, and Jimmy Archey – and titles include "Blues My Naughty Sweetie Gave To Me", "That's A ... LP, Vinyl record album

⇑ Top