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Genius Of Ray Charles

LP (Item 18252) Atlantic, 1959 — Condition: Near Mint-
Temporarily Out Of Stock

LP, Vinyl record album

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Later Atlantic Records material from the legendary Ray Charles – a set that definitely lives up to the genius of the title, in that it shows a real sense of development in Ray's music! Charles has moved from the shorter R&B of his early Atlantic singles, to embrace some greater jazz-based sophistication – served up here with players who include Paul Gonsalves and Zoot Sims on tenor, Clark Terry and Joe Newman on trumpets, Melba Liston and Al Gray on trombones, and Freddie Greene on guitar – all players who really shift things towards a richer, fuller sound – setting the stage for Charles 60s growth at ABC Records, but with less of the country modes. Titles include Charles takes on classics like "Just For A Thrill", "Don't Let The Sun Catch You Cryin", "Am I Blue", and "It Had To Be You" – and the record also features a young Marcus Belgrave delivering a trumpet solo on "Alexander's Ragtime Band".  © 1996-2019, Dusty Groove, Inc.
(Red & green Rockefeller label pressing, in a barcode cover, with a cutout notch.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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