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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Hard to miss with The Crusaders at this point – and the album's one of their stone classics from the 70s – just the kind of soulful fusion that few other groups could touch! The core trio of Joe Sample's keyboards, Wilton Felder's saxes, and Stix Hooper's drums is augmented by the ... LP, Vinyl record album
Surprisingly nice album from Paul Bley, despite a rather overly hippy dippy cover and concept. The tracks are straight trio ones, with Bley on piano, and Gary Peacock doing some great bass work. Titles include "El Cordobes", "Mr. Joy", "Kid Dynamite", and "Rambli ... LP, Vinyl record album
One of the few standout 70s sessions by Ornette Coleman – a wonderfully rhythmic record that shows Ornette's expanding musical vision at the time! Most of the record is dominated by the guitar-heavy "Theme From A Symphony" – a very harmelodic number that takes up all of side ... LP, Vinyl record album
An early 70s classic from The Crusaders – and a record that has the group perfectly poised between the rougher soul jazz of their roots and some of the tighter styles they brought into play during the 70s! The sound here is heavily electric – thanks to great keyboards from Joe Sample ... LP, Vinyl record album
Easily Lonnie Smith's biggest hit for Blue Note – a key record in defining the sound of late 60s soul jazz! Lonnie's working here with an all-star group that includes Melvin Sparks, Lee Morgan, and David Fathead Newman – and the core combo is expanded by some additional Latin ... LP, Vinyl record album
A great Crusaders album – and one that's a perfect bridge between their earlier soul jazz styles, and their tighter funkier electric one. The record was recorded live at the Roxy, and the group is augmented by Larry Carlton on guitar, who gives the tracks a nice razor edge at his best ... LP, Vinyl record album
A landmark album – not only for Bob James, but for CTI and the Fender Rhodes as well! This is the album where all the magic starts – the first of many extremely successful albums that Bob recorded during the 70s under his own name, and almost the birthplace of the modern hip hop ... LP, Vinyl record album
Donald Byrd's second foray into the "with voices" genre – done with the same arranging talents of Coleridge Perkinson, the lyrical modernist who made Donald's A New Perspective such a success! The group that plays with Byrd is excellent, and includes Freddie Roach, Herbie Hancock, ... LP, Vinyl record album
A landmark album from Roland Kirk – one of his key 60s sides for Atlantic records, and an amazing blend of soul jazz, hardbop, and freer thinking styles! Roland's playing an insane assortment of horns on the set – often at the same time, if you know his 3-way style of blowing – ... LP, Vinyl record album
Brian Auger's first album away from singer Julie Driscoll – and a landmark batch of funky organ work that made big waves in both the rock and jazz worlds at the time! Auger's really stretching out here – getting past the simple R&B of his roots, and going into a bubbling funky ... LP, Vinyl record album