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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
On this one, the Crusaders definitely crossed from jazz into funk – but who cares, because the album's so darn great! The record's got a tight LA groove, with some excellent electric keyboards, sweet sax solos, and tight drumming throughout. True proof that sometimes a lot of money can be ... LP, Vinyl record album
Titles include "Good Times", "The Way It Goes", "Sweet Dreams", "Mischevious Ways", "Three Wishes", and "Sometimes You Can Take It Or Leave It". Nancy Wilson guests on vocals on one track. LP, Vinyl record album
Apart from the title's terrible pun on the Glenn Campbell hit of the mid 70s, this album's a real treat – a very soulful batch of smooth funky jazz tunes by The Crusaders, who by this point have fully emerged to claim the throne of the pop soul jazz genre they virtually invented. The record's ... LP, Vinyl record album
Very nice heavy funk material, recorded by The Crusaders right at the pivotal time when they were moving from straigher soul jazz to a nice electric 70s groove! The record features some excellent original compositions by the band – like "Crossfire", "Unsung Heroes", " ... LP, Vinyl record album
Damn, Jimmy's always great! Even in a session like this – the kind of obscure, almost "off the books" sort of album, Jimmy's still giving 110% on the Hammond – grooving with an unnamed group in a mode that recalls the fiercely swinging sound of Groove Holmes at his best in ... LP, Vinyl record album
Maybe Zoot was trying to compete with Stan Getz here, we don't know, but the groove's actually pretty great, and it's nice to hear a soloist as strong as Zoot working his way through some bossa covers. Of course this isn't authentic, but it's a nice groovy album nonetheless, and the arrangements ... LP, Vinyl record album
Sweet funky Crusaders – one of the first records the group made after dropping the "Jazz" from their name, and a soulful electric set through and through! The group still have that tightly-crafted soul jazz sound that made their late 60s recordings so great – but they're also ... LP, Vinyl record album
A pivotal album in the development of the use of the Hammond organ in jazz – and Charles Earland's first exposure to a large audience! Durign the 60s, Charles was bumping around the Philly scene quite a bit – and recorded some small group indie sides that first gave a glimpse of his ... LP, Vinyl record album
A strange and tasty little album that Roland Kirk made with organist Jack McDuff in the early 60s – one of his few outings in such a format, and a smoking little session that almost makes us wish he'd cut more of them! The format is relatively simple – with lots of interplay between ... LP, Vinyl record album
One of the last records that Booker Ervin ever recorded, and one of the best! There's a depth of tone and conception here that goes far beyond even Ervin's already-great albums for Prestige – a mix of modernism and soulful expression that really points the way towards jazz expression in the ... LP, Vinyl record album
Soulful 70s work from Herbie Hancock – a record that tightens things up from the Headhunters and Sextant sessions, but which still retains a lot of their depth and charm! Players here including some previous partners – like Bennie Maupin on reeds and Paul Jackson on bass – plus ... LP, Vinyl record album