Various : Devil Rides In – Spellbinding Satanic Magick & The Rockult 1967 to 1974 (3CD set) (CD) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Devil Rides In – Spellbinding Satanic Magick & The Rockult 1967 to 1974 (3CD set)

CD (Item 179506) Strawberry (UK), Late 1960s/Early 1970s — Condition: New Copy
3CDs
$29.99 ...

CD

List Price: 34.99
The darker side of the scene in the late 60s/early 70s – music from a time when rock was willing to take on themes of the supernatural and satanic – sometimes in ways that were fully-formed, sometimes with a slightly more subtle approach that somehow made things sound even more eerie overall! This well-done box documents a time when witchcraft, magic, and satanic themes were taking over mainstream minds on both sides of the Atlantic – a late 60s moment when films, comics, TV shows, and paperbacks were brimming over with stories and ideas from the dark side – a moment that also touched music as well, as you'll learn in the copious notes that come with the package! The mix of tracks is great, as there's a lot here that we never would have thought to place in such a category – and throughout the 55 titles in the package, you'll experience plenty of weirdness – in a lineup that includes work from Paul's Troubles, Curved Air, Jacula, Warhorse, Elias Hulk, Elmer Gantry's Velvet Opera, Comus, Dr Z, Van Der Graaf Generator, Sam Gopal, Complex, Curtis Knight Zeus, Onyx, Shape Of Rain, Jason Crest, The Laurels, Tear Gas, and many others.  © 1996-2024, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Virgin/Cherry Red (UK), 1983. New Copy 2CD
A nicely expanded version of the great second album from this very cool UK group – an early 80s act named after a famous song by Dave Brubeck – and one who definitely bring all sorts of jazz elements into their music! Blue Rondo A La Turk were pre-Sade, pre-acid jazz, and have a ... CD
Esoteric (UK), 1975. New Copy 4CDs
Mid 70s magic from the UK progressive rock scene – cuts from a moment when many of the groups were changing things up a bit – not in a commercial way, but in a mode that has them taking the energy of earlier jams and focusing them a bit more into tuneful music! The approach is a great ... CD
Grapefruit/CBS (UK), Late 1960s/Early 1970s. New Copy 6CD
Really heady work from Black Widow – the legendary UK prog group, and not the countless other artists who've also recorded under the same name! Black Widow were one of a handful of groups who took the horror rock modes of the early 60s and pushed them into territory that was much more ... CD
Grapefruit (UK), Mid 1960s. New Copy 3CDs
The grittier side of the UK scene in the mid 60s – a whole host of work by groups who were strongly influenced by American soul, blues, and R&B – but were also really starting to put together sounds that were very much their own! The Rolling Stones were obviously the biggest stars ... CD
Strawberry (UK), Late 1960s/Early 1970s. New Copy 3CDs
A great look at the work of Don Fardon – a blue eyed soul singer from the UK, one who recorded under a variety of settings in the 60s, and who breaks out here with some very hip work once the 70s come in! The early tunes are almost a male counterpart to the work of Julie Driscoll from the ... CD
Island/Esoteric (UK), Mid 1970s. New Copy 3CD
A real highpoint in the career of the great John Cale – three full albums recorded for Island Records, with some great bonus material too! First up is Fear – one of the best solo albums ever from John Cale – a set that has the singer playing a lot of piano alongside his vocals, ... CD
Strawberry (UK), Late 1960s. New Copy 3CD
Two full albums from this legendary group – plus a heck of a lot of bonus material too! First up is the self-titled Twilights album – very groovy work from Australia's Twilights – a group who've got a lot more hard-burning power than you might expect from their name – a ... CD
Strawberry (UK), Late 1960s/Early 1970s. New Copy 3CDs
A set that's way more than just the Irish rock extravangaza that you might expect from the title – as the collection really digs deep to show the way that older Celtic themes were influencing not just 60s and 70s bands from the Emerald Isle, but also groups from Wales, Scotland, and even ... CD
Strawberry (UK), Mid 60s. New Copy 3CD
Very groovy work from The Swingin Blue Jeans – a UK quartet who rose up in the same wave that brought the world The Beatles, but one who never fully got their due on our side of the Atlantic! Yet despite that lack, the group's work is wonderful – tight guitars and vocal harmonies, and ... CD
Strawberry (UK), Late 60s/Early 70s. New Copy 3CD
A really cool package that's way more than just the blues promised in the title – as the set brings together work from a variety of scenes and styles, all showing the many ways that American blues had such an impact on UK sounds from the mod generation onwards! There's definitely some tracks ... CD
Numero, Mid 1970s. New Copy
That's "Motel" California in the title, not Hotel California – and that should give you a good idea of the territory you're hitting here – the lower-rent underground of 70s country-styled rock – not the polished sound of the big groups on the major labels, but instead a ... CD

Assemblage

Album
Westbound/ORG, 1971. New Copy
CD...$9.99 12.99
A heady set of work from the Detroit scene at the start of the 70s – originally issued on the Westbound label, and one of the company's few rock releases of the time – although maybe not that far overall from the freaky fuzzy sound of the early years of Funkadelic! There's a nicely ... CD
 



⇑ Top