Bruno Nicolai : Bruno Nicolai For Jess Franco (Eugenie De Sade 70/Una Vergine Tra I Morti Viventi/99 Donne/Les Cauchemars Naissent La Nuit) (5CD set) (CD) -- Dusty Groove is Chicago's Online Record Store
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Bruno Nicolai For Jess Franco (Eugenie De Sade 70/Una Vergine Tra I Morti Viventi/99 Donne/Les Cauchemars Naissent La Nuit) (5CD set)

CD (Item 175970) Digitmovies (Italy), Late 1960s/Early 1970s — Condition: New Copy
5CD
Temporarily Out Of Stock

CD

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A wonderful package – with four great soundtracks by frequent Morricone partner Bruno Nicolai – all for very offbeat films from the legendary director Jess Franco! First up is Eugenie De Sade 70 – a sublime soundtrack by Bruno Nicolai, penned for a legendary Jess Franco erotic thriller! Despite the darkness of the film, there's a light and playful feel to the music – with many cuts that drift along on wings of melody – recalling some of our favorite Mondo Morricone themes from the time, and really elevating the status of Nicolai in our book! Instrumentation is both by larger string groupings and smaller instrumental combos – and the score's overflowing with dreamy bossa-styled numbers that also have some of the trippier touches that you might know from Franco's Vampyros Lesbos film. Next is Una Vergine Tra I Morti Viventi – a rare Bruno Nicolai score penned for an early 70s film by Jess Franco – and easily one of the darkest soundtracks that Franco ever used! There's a few slinky erotic bits going on here, but much of the music is off-kilter and eerie – cast in modes that draw from the more atonal side of the Morricone spectrum, but which also feature some unusual use of electronic effects by Nicolai himself! There's one redeemingly sweet number here sung by Edda Dell'Orso – in a floating, bossa-rhythmed style that recalls her greatness with Morricone – but most other numbers are quite dark, increasingly so as the soundtrack goes on! Next up is the sexy score for 99 Donne – an obscure Jess Franco film about 99 female prisoners, locked behind bars and alone with their passions! Given the setting, Bruno Nicolai's soundtrack is actually incredibly free of kitsch – and instead blends together driving upbeat numbers with some mellower, moodier tunes – often presented with full orchestrations that bring in notes of sadness and sentiment. That's not saying that the whole thing's not groovy – as Bruno includes some nice jazzy touches on the album, which are unusual for his work – and the leadoff track also features some really great English language vocals from Audrey Stainton! The collection closes out with music from the film Les Cauchemars Naissent La Nuit – one of the darkest Bruno Nicolai soundtracks we've ever heard – penned for an equally dark film directed by Jess Franco! The style here is a bit more tense than the usual light melodies we'd expect from the Nicolai/Franco team – still somewhat spacious, but with very tentative notes at times – and often tuned weirdly so that the music is filled with odd sounds, although never as atonal as in some of the very dark Italian scores of the 70s. Offbeat piano lines figure strongly in some tracks – with an almost John Cage-like feel – and titles include "Amori", "Cocktail", "Tra Sogno E Vita", "Climax", "Tempio", "Giostra", "Infrarosso", and "Verde Selvaggio".  © 1996-2024, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


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