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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Rare live work from Billie Holiday – mostly from the early 50s, but not issued until a few years after her death – in a well-done package from United Artists! The tunes were mostly recorded under the supervision of Leonard Feather – and come from two different German tour dates ... LP, Vinyl record album
A classic 2LP collection of Billie's older work for Columbia – early sides produced by John Hammond in the late 30s and early 40s. Titles include "It's A Sin To Tell A Lie", "Am I Blue", "God Bless The Child", "Mandy Is Two", "It's The Same Old ... LP, Vinyl record album
A full LP issue of singles that Billie Holiday recorded for Decca during the mid and late 40s – all small group sessions, with occasional added instrumentation on small string sections, or vocals. The sides are a nice counterpoint to Billie's work for Verve and Columbia – as the ... LP, Vinyl record album
Classic Billie Holiday for Verve – sad, blue-tinged, and recorded with great small combo backing – in a mode that really updates the sound of her initial recordings while still keeping the best elements intact! Players include Oscar Peterson, Alvin Stoller, Barney Kessell, and Ray ... LP, Vinyl record album
Not really a recital in the "live" sense, in that the album's a studio session – but a great batch of classic Verve sides by Billie Holiday! The care and quality of the record definitely demonstrate that the Verve years are some of Holiday's best – and for the session, Norman ... LP, Vinyl record album
A much groovier set than usual from vocalist Jimmy Witherspoon – thanks to some great backing from the combo of organist Jack McDuff, which also includes guitar from a young Melvin Sparks! The sound here is definitely in keeping with the "blues" in the title – but McDuff's ... LP, Vinyl record album
One of the hippest takes ever on the Porgy & Bess score – done in duet format by Ella Fitzgerald and Louis Armstrong, in a fuller spirit than their other albums for Verve! Like many late 50s albums of Gershwin's score, this one was issued in advance of the film with Sidney Poitier – ... LP, Vinyl record album