A great little Sonny Stitt album – very different than any of his other sets from the 60s! The album has a number of interesting aspects – from hard-wailing organ by Wilmer Mosby (who we think is Don Patterson under a fake name), to some screaming guest work by Rufus Harley and Robin Kenyatta. Sonny and Kenyatta sound especially great together, and on the track "In The Bag" Stitt's alto blends right in with Kenyattas, for an hard-wailing sound that's enough to shatter your windows, glasses, and contact lenses. Harley's work is equally great on the cut "Pipin The Blues", and with Sitt playing the sax parts, Rufus is free to really work those jazz bagpipes! Other tracks include "Deuces Wild", "Blues Ahead", and "Sittin In With Stitt". (Red & purple label pressing. Cover has a small cutout hole and an ink stamp on back.) © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.