A funky classic from the Brothers Johnson – sweet funky soul, done with a polish few could match! The pair are still working with Quincy Jones at this point, and the record's filled with lots of tight jazzy grooves that certainly show Quincy's touch – and which set the record apart from a number of similar mainstream funk records flooding the market at the time. The standout cut on the album is their great reading of "Strawberry Letter 23" – originally done by Shuggie Otis in a stoner version, but nicely stripped down here by the Bros, and given a very nice pop psychedelic soul twist! Other tracks include "Right On Time", "Q", "Free Yourself, Be Yourself", and "Love Is". (Includes the booklet. Cover has a cutout notch.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.