Dave Pike : Doors of Perception (swirl colored vinyl pressing) (2024 Record Store Day Release) (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Doors of Perception (swirl colored vinyl pressing) (2024 Record Store Day Release)

LP (Item 171888) Vortex/Nature Sounds, 1970 — Condition: New Copy
(reissue)
Temporarily Out Of Stock

LP, Vinyl record album

✈
❔
Groovily tripped-out work from vibist Dave Pike – and one of the few American albums that matches the experimental sound of his work for MPS! The session's often quite free and open – in a way that not only uses odd instrumental combinations and arrangements, but which also features some offbeat production by Herbie Mann that further abstracts the sound! Elements of Pike's earlier work shine through in a few of the more straightforward groovers, but his new European-endowed sense of hipness wins in the end – thanks to a good deal of modal grooves, psychedelic elements, and even a bit of fuzzy Fender bass! Other players include Lee Konitz on alto sax, Don Friedman on piano, Chuck Israel on bass (electric and acoustic), and Eddie Daniels on tenor and clarinet – and titles include "Free Improvisation", "The Drifter", "Ballad", "The Doors Of Perception", and "Anticipation".  © 1996-2024, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Pat Van Dyke

Falls To Pieces
Cotter, 2024. New Copy
Funky jazz for the hip hop generation – a set that features warm instrumental solos over some well-crafted beats – all with a vibe that effortlessly links the 70s with the 21st Century! Pat Van Dyke plays a host of instruments – including vibes and Fender Rhodes – in a ... LP, Vinyl record album

Roy Ayers

Stoned Soul Picnic
Atlantic/Nature Sounds, 1968. New Copy (reissue)
An early album as a leader from the great Roy Ayers – a set that captures the vibes man at a time when he'd been working on the west coast soul jazz scene, and was stepping into even greater fame in the group of Herbie Mann! Yet this set is definitely Roy's own – kind of an ... LP, Vinyl record album

Southern University Jazz Ensemble/Alvin Batiste

Live At The 1971 American College Jazz Festival
Jazzstronauts/Now Again, 1971. New Copy (reissue)
A set that's gotta be one of the most righteous school band records ever – way more than just a bunch of students doing big band numbers, and instead a killer batch of spiritual jazz numbers, directed by the legendary Alvin Batiste! The record's one of a rare few 70s sets of this nature ... LP, Vinyl record album

Phil Ranelin

Time Is Now
Tribe/Now Again, 1973. New Copy (reissue)
It's hard to get more powerful and progressive than the message this title – an indication that the record is one of the boldest in the Tribe Records catalog from the 70s – which is saying a lot, given the force of the legendary Detroit label! Trombonist Phil Ranelin is at his best ... LP, Vinyl record album

Phil Ranelin

Vibes From The Tribe
Tribe/Now Again, 1976. New Copy (reissue)
An excellent lost classic from Detroit soul jazz powerhouse Phil Ranelin – now a legendary figure, but recording here back at the start of his career in the Motor City! Trombonist Ranelin was one of the key figures in the city's Tribe Records scene – and this album is one of the ... LP, Vinyl record album

Bobby Hamilton Quintet

Dream Queen
Alifa/Now Again, 1972. New Copy (reissue)
A lost bit of funky vibes and Fender Rhodes – one of those few records that's as sublime as it is rare – like work by Billy Wooten or Lyman Woodard! The Bobby Hamilton Quintet were an obscure combo from upstate New York – but they've lived on in our hearts (and ears!) with this ... LP, Vinyl record album

Roy Ayers

Virgo Vibes
Atlantic/Nature Sounds, 1967. New Copy (reissue)
A far-reaching early gem from Roy Ayers – a set that's much more jazz-based than his later work, and a record that has him touching base with the Blue Note and Strata East sides of the jazz spectrum! The lineup here is incredibly hip – a mix of players that includes a young Charles ... LP, Vinyl record album
Date/Nature Sounds, 1967. New Copy 2LP Gatefold (reissue)
Massive work from one of the funkiest drummers of all time – the legendary Bernard Pretty Purdie, stepping out here in a batch of instrumentals that may well be his greatest album ever! Bernard's drums are right up front in the mix – leading off all tunes with a full, funky, echoey ... LP, Vinyl record album
Liberation Hall, 1975. New Copy
Cannonball Adderley left the planet all too soon during the year of 1975 – but he's still going fantastically strong in this live date from the same year – a set that maybe shows us what sort of directions that Cannon might have taken had he stuck around for another decade or two! ... LP, Vinyl record album
Tribute/Liberation Hall, 1969. New Copy (reissue)
A damn funky record from Dizzy Gillespie – not the bebop of his early years, nor the longer Latiny tracks of the 60s – but instead this great set of short, tight instrumentals that are all arranged by funky genius Ed Bland, then topped with some wicked solos from Dizz! The group also ... LP, Vinyl record album
Diggers Factory/Wnts (France), 1979. New Copy
One of those great overseas sessions that Chet Baker cut in the last decade of his life – material that's so different than his older work, and which shows the maturing trumpeter really in search of a new sort of groove! Here, the album features key work from Jean-Paul Florens on guitar ... LP, Vinyl record album
Brubeck Editions, 1959. New Copy
Unreleased live material from the legendary Dave Brubeck Quartet – recorded at a time when the group was really making waves with its famous albums on Columbia Records, and playing here with a much more open, extended style than on those more compact LPs! The lineup features Dave on piano, ... LP, Vinyl record album
 



⇑ Top