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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Tasty small group work from Groove – with Mr Holmes himself on organ, and the great Larry Willis on electric piano – coming up with a twin electric organ/piano sound that's similar to the one that Groove used on his Comin On Home LP for Blue Note. The difference here is that things ... LP, Vinyl record album
A magnificent record from John Coltrane – one of his earliest expressions of unbridled spirituality, and a session that we've treasured for years! As you might guess from the title, there's a slight Latin focus to the record – but not one that has congas and bongos creating choppy ... LP, Vinyl record album
Amazing stuff from Ahmad Jamal – one of his greatest albums ever, and the kind of Fender Rhodes classic that got passed over in the history books, but which is finally getting some appreciation these days! Ahamad's in a very different mode than his Cadet/Argo years – using the mellow ... LP, Vinyl record album
Johnny recorded this one right after his legendary Gears album, and it features production by Wade Marcus that's very much in the Larry Mizell mode that made Johnny huge in the 70s! As with the Gears record, Johnny's backed by a large ensemble of players – and the overall sound has lots of ... LP, Vinyl record album
A classic album that mixes trumpet and voices in a swirling soulful sound that worked very well for Byrd's career! Byrd's sparkling trumpet fronts a tight septet that includes Hank Mobley, Herbie Hancock, and Kenny Burrell – and which is backed by arrangements by Coleridge Perkinson and Duke ... LP, Vinyl record album
Cecil Taylor's definitely Looking Ahead here – pushing jazz piano very strongly into the 60s with his modernist tones – yet still working with a bit more restraint than in the next decade! The style here is quite unusual – and almost more fresh than the Taylor sound of later ... LP, Vinyl record album
Important mid 60s work from Ornette – and one of the few recordings of this format to see larger release at the time! The set captures Ornette in a much freer style than heard on his Atlantic recordings from a few years before – paying alto, violin, and trumpet, in a trio with David ... LP, Vinyl record album
Great jazzy work by this excellent singer – a tight set featuring Oscar Brown Jr. performing jazz material written (mostly) by other composers, shifting the focus away from his earlier records, which have more of his own compositions. Ralph Burns and Al Cohn handled the arrangements – ... LP, Vinyl record album
A wonderful collection of early electronic music – issued by the less-high tech Folkways label, but every bit as compelling as similar collections from bigger labels at the time! Most of the work was composed in the 50s and early 60s, and is from the Electronic Music Studio at the University ... LP, Vinyl record album
Earth Wind & Fire's first album for Columbia Records – the start of a really legendary run during the 70s! The sound here is a bit tighter than their first two for Warner Brothers – a groove that has funk and soul taking a bit more precedence over the jazz of their roots – ... LP, Vinyl record album