Ronnie Foster : Two Headed Freap (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Two Headed Freap

LP (Item 17046) Blue Note, 1972 — Condition: Near Mint-
One of the all-time keyboard classics of the 70s – a completely different album than any other set from pianist Ronnie Foster – done with this laidback, open-ended groove that was years ahead of its time! The album's in some ways a blueprint for some of our favorite jazz-based hip hop – and although Ronnie's playing organ, on most of the cuts, he handles the instrument more like it's a Fender Rhodes! The set's a masterpiece in funky jazz, done with a sinister, soulful groove – with these amazing rhythms from players who include Gene Bianco on harp, Arthur Jenkins on congas, George Duvivier and Gordon Edwards on bass, Jimmy Johnson on drums, George Devens on vibes, and Gene Bertoncini on guitar – served up with some amazing arrangements from soul maestro Wade Marcus. Titles include the massive cut "Mystic Brew", which is a tasty Tribe sample – plus lots of other goodies like "Chunky", "Summer Song", and "Don't Knock My Love".  © 1996-2024, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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