This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs.
These are the grades that we use and what they mean for items that are not new copies.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally,
all of our records are graded visually;
considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Sealed
This is what it says, that the record is still held fast in shrink-wrap.
We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't
look original, or if the record seems to have undergone some damage over time,
we'll probably take it out of the wrapper to ensure that it's in good shape —
which is why we don't have more of these. In some cases the shrink-wrap may be
torn in spots, but if it's not possible the record has been taken out and played,
the record will still qualify as "Sealed".
Near Mint
Dusty Groove does not use the grades of Near Mint
(or Mint, for that matter) because in our experience, we find that no records
ever qualify for such a high grade. Even sealed records tend to have one or two
slight faults, enough to usually qualify them for a grade of NM- or lower. We've
often found that records which are clearly unplayed will have a slight amount of
surface noise, especially in quieter recordings.
Near Mint - (minus)
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Very Good + (plus)
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Very Good
Vinyl can have some dirt, but nothing major.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Very Good - (minus)
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Good + (plus)
Vinyl may be dirty, or have one outstanding flaw,
such as a light residue, which could be difficult to clean.
May have marks on all parts, too many to qualify as Very Good-,
or several deeper marks, but the record should still be ok for play without skips.
In general, this is a record that was played a fair amount,
and handled without care. A typical example may be a record which has
been heavily played by a DJ, and carries marks from slip cueing.
Depending on the quality of the vinyl, may play with surface noise throughout.
Good
A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
Will have marks across all parts of the playing surface,
and will most likely play with surface noise throughout.
May have some other significant flaws, such as residue, or a track that skips.
In most cases, a poor quality copy of a very difficult to find record.
Fair
This is a grade we rarely use, as we try not to sell records
in very bad condition, though in some rare cases we will list a
record in such bad shape that it does not conform to the standards above.
A "Fair" record will have enough marks or significant flaws that it
does not even qualify as "Good", but is a copy you might consider
for playing, if you're willing to put up with noise and/or flaws.
An example might be a recording with surface noise so heavy that
it is equal to the volume of the music. For records listed as "Fair",
we will describe the extent of the condition in the comments.
Poor
Like "Fair", we rarely list records in this condition,
as they represent the extreme low end of spectrum.
These records typically have multiple serious problems,
and we offer them as "relics" or "objects" only — for
those who want to at least have a copy of a record,
even if it is not really worthy of play, perhaps for the cover alone.
For these records, we will describe the extent of the condition in the comments.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Maybe the coolest collection of work we've ever seen from the legendary Mag Records label from Peru – a really unique imprint that always had a way of serving up a slightly different take on more familiar styles! Here, as you'd guess from the title, the focus is on Latin Soul and boogaloo ... LP, Vinyl record album
Peruvian grooves from Martin Lopez and his combo – music that's got a Latin sound at its core, but which comes off with lots of weird twists and turns as well! As with most Peruvian takes on Latin sounds from up north, there's a nice mixing up of modes going on here that really makes the ... LP, Vinyl record album
The great Bobby Marin is kind of a secret star of Latin music – not nearly as well-publicized as some of the bigger names on the front cover of records on labels like Fania, Alegre, or Cotique – but one with a stunning legacy of music on his own as both an artist and producer! Bobby ... LP, Vinyl record album
Classic cumbia cuts from the label that did it best – Colombia's landmark Discos Fuentes, a real powerhouse when it came to putting forth music like this! The rhythms follow styles you'll know from later, more famous crossover cumbia work – but at an earlier level that's nicely varied, ... LP, Vinyl record album
The triple use of "cumbia" in the title is very well-put – as this package is overflowing with classic cuts in the famous Colombian genre – all pulled from the wide-ranging catalog of the Codiscos label – a company who was only second to Discos Fuentes in turning up the ... LP, Vinyl record album
A complete killer from the Peruvian scene of the 60s – a set that shows just how special it is when the leadoff descarga track breaks into a searing saxophone solo within the first few seconds! Things don't let up after that – and Al Valdez keeps things moving and grooving at a level ... LP, Vinyl record album
A sharp little cooker from the Venezuelan scene of the late 60s – a record that's filled with great grooves, and done in a style that's very much like the Joe Cuba Sextet of a few years before – a combo that the group is likely trying to evoke with their name and image on the cover! ... LP, Vinyl record album
One of the most obscure albums issued on the legendary New York Coco Records imprint of the 70s – and one of the rootsiest too, as the set's got a vibe that's a bit earthier than some of the label's records by bigger-name acts! The percussion is totally great – almost descarga-inspired ... LP, Vinyl record album
A fantastic dip into one of the coolest Latin labels of the 70s – the short-lived but incredible Coco Records – an imprint that was arguably even hipper than Fania, Alegre, or some of the other bigger indies of the time! The label was the brainchild of Harvey Averne – who you'll ... LP, Vinyl record album
A seminal bit of 70s Latin from Eddie Palmieri – a full, rich session that really earns the "sun" in its title! Eddie's working here in that complicated approach to jazzy rhythms from the later Tico years – inflected by a bit of straighter salsa rhythms – in a style ... LP, Vinyl record album
A cool little compilation that's as groovy as you might guess from the title – and one that finally brings to light the lesser-known genre of chica – an odd fusion of cumbia rhythms with more psychedelic-styled instrumentation on farfisa, organ, and guitar! The core grooves remind us a ... LP, Vinyl record album
Sparkling Puerto Rican salsa from trumpeter Tommy Olivencia and his super-hot group of the 70s – an ensemble that features lead vocals from Chamaco Ramirez over some totally tight lines from the rest of the group! Tommy's trumpet is in some very brassy company here, but the sound is still ... LP, Vinyl record album