This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can
request a return
for a full refund.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or packaging details,
or an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
case/insert damage or wear, or strictly cosmetic flaws.
A lost treasure from the overlooked late 70s jazz years at Columbia! The album's got Freddie Hubbard working with arranger Claus Ogerman on some expansive tracks that go beyond his earlier work in the decade – sometimes blowing mellow notes over larger orchestrations, other times working in ... CD
Killer work from Freddie Hubbard – some key transitional sides for Atlantic Records, and easily some of his most soulful work ever! Freddie started out as a bopper on Blue Note, but then made a great shift at Atlantic – exploring space and sound in a really wonderful way, and opening ... CD
A classic European date from Freddie Hubbard – recorded right around the vintage of his Red Clay years, but with a sound that hearkens back more towards his Blue Note sessions of the mid 60s! There's a nicely angular feel to this set – that bold, modern quality that really set Hubbard ... CD
Quite an unusual session for trumpeter Freddie Hubbard – a set done during his early run of albums for Blue Note, but one that's got some much darker, more modern qualities than the rest! The music here almost verges on some of the "new thing" material of the period on the label ... CD
Pivotal work from trumpeter Freddie Hubbard – a tight, edgy quintet performance that's done with a modern jazz sound that approaches the Blue Note "new thing" sound, but which stays just this side of the fence to keep in line with Freddie's other soulful work of the 60s – yet ... CD
Classic Freddie Hubbard on Blue Note – from the hip cover to the magical music in the grooves! The session is one of Freddie's all-time best from the early days – and features a very hard wailing lineup that mixes tight hardbop rhythms with some more adventurous soloing that almost has ... CD
An album with a classic modernist cover image – and one that's also got the same sort of sound to match – brilliant early work from trumpeter Freddie Hubbard, who's really coming into his own as a leader with this date! Freddie's really finding a voice here – a sharper edge than ... CD
Moody genius from Freddie Hubbard – a really unusual album that stands out not only from some of his other Blue Note work of the 60s, but also from most of the rest of his catalog as well! Part of the album's uniqueness is its group – an unusual lineup with McCoy Tyner on piano, Wayne ... CD
Seminal work from Freddie Hubbard – an early hardbop session that features some great work by Tina Brooks on tenor, piano by McCoy Tyner, and rhythm from the team of Sam Jones on bass Clifford Jarvis on drums! And although Freddie's great at this early point in his career – playing ... CD
A landmark set for Blue Note – one that features Freddie Hubbard working in raw, firey, freewheeling territory – given space that few other players at the label were getting at the time! The two volume set features tracks recorded live at Club La Marchal in Brooklyn – and have ... CD
A great lost session from tenorist Joe Henderson – recorded in 1980 for MPS Records, in a mellower, more easy-going style than some of his electric sides of the 70s! Joe's blowing in a really fluid style – almost like Stan Getz at times, but with a darker, edgier approach – and ... CD