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When I Get Back Home

LP (Item 16483) Columbia, 1977 — Condition: Near Mint-

One of the coolest, grooviest albums ever from Vernon Burch – an overlooked 70s soul genius who worked with countless others in the decade, and cut a handful of gems on his own! The set may well be Vernon's best, as it's got this really wonderful approach that mixes funky elements, jazzy vibes, and lots of other warm touches – more than enough to put the record in the same great space as 70s classics by artists like Leon Ware or Ronnie McNeir! Vernon's vocals are wonderful – soaring, but laidback too – and the arrangements have some great jazzy touches on keyboards and guitar, almost in a way that echoes the best modes of Stevie Wonder. A definite gem from the rare groove generation – with cuts that include "Mr Sin", "Paradise", "Leaving You Is Killing Me", "Ghetto Penthouse", and "To Make You Stay".  © 1996-2019, Dusty Groove, Inc.
(Cover has a promo stamp and a bit of aging on the bottom corners.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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