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Life At The Donaueschingen Music Festival

LP (Item 16453) MPS, 1967 — Condition: Near Mint-

Some of Archie Shepp's most freewheeling material of the 60s – a long, extended, single-song album recorded at the Donaueschingen festival a few years before his classic work for BYG/Actuel – and very much in the same bold spirit as his recordings for that label! The single tune – "One For The Trane" – is opened up, stretched out, and run freely by Shepp on tenor, Roswell Rudd and Grachan Moncur on trombones, Jimmy Garrison on bass, and Beaver Harris on drums – a very unique lineup that benefits not just from the presence of two trombones, which gives the record a very deep, rich sound – but also from the creative rhythms of Garrison and Harris, a really great team for a session like this! Shepp is wonderful – still with this inherent sense of soul that also ties the performance to some of his brightest moments for Impulse Records – this structure, even when blowing free, that creates an amazing sense of swing somewhere back in the music.  © 1996-2020, Dusty Groove, Inc.
(Late 70s Japanese pressing, with insert.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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