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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
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Additional Marks & Notes
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if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Teddy Riley's second LP with Guy, one of many groups he held the helm for, laying down the blueprint for New Jack Swing, the sound that would rule modern chart soul for years. Like some of the other music of that era, this LP sounds a lot better to us now than it did then, when we had to act all ... LP, Vinyl record album
The last record we've ever seen by this funky vocal combo – and every bit as tasty as their early work for Fantasy Records! Part of the reason for that is because the group's getting production here from Augie Johnson – who picked up plenty of funky jazz touches through his work with ... LP, Vinyl record album
Smooth soul produced and written by Michael Wycoff, with Wycoff playing keyboards and doing background vocals. Sort of makes us wonder what he needed Jerry Bell for, but Bell's voice is pretty nice, and we like it better than Wycoff's. With the tracks "Call On Me", "I Still ... LP, Vinyl record album
A totally massive set from One Way – a record that has them sounding even better than ever – drawing on all the strengths of the previous few records, and really knocking it out of the park! Although the group's got a great way with a groove, the mellow cuts here are equally nice ... LP, Vinyl record album
For a group who never broke big, Shotgun sure got a chance to cut a lot of albums at the end of the 70s – almost all of them with the group's name as the title! This set's their fourth, and it's got an upbeat, bass-heavy groove – one that's still filled with the warmer ensemble funk ... LP, Vinyl record album
The debut album from Jody Watley – an instant hit that became one of the biggest soul albums of the mid 80s! Jody stepped out from soul group Shalamar to work with producer Andre Cymone on a this set of tracks that set the blueprint for slick soul at the time – still very much in the ... LP, Vinyl record album
Marlena Shaw's first-ever album – and while not as all-out righteous as some of her later work, still a really unique record that quickly put Marlena head and shoulders above the rest of the pack! The record's a mix of jazzy vocal numbers and heavier soul tunes – arranged by Richard ... LP, Vinyl record album
A masterpiece of funky soul – and one of the greatest albums of the early 70s! It all comes together on this one – funk, soul, politics, and production – and the record is still one of the clearest examples of James Brown's genius that you'll ever find! Recorded during the same ... LP, Vinyl record album
One of the better albums by this great Chicago soul studio group – but all of them are pretty nice! The great Richard Evans is still at the head of The Strings, and the album features solo work by Charles Stepney and Lennie Druss, in a cool breezy Chess/Cadet soul jazz kind of mode. The ... LP, Vinyl record album