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Chico Hamilton Quintet Featuring Buddy Collette
LP (Item 16284) Pacific Jazz, 1955 — Condition: Near Mint-
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An archetypal record from the west coast scene of the 50s – a sublime batch of lightly grooving numbers from Chico Hamilton's famous early Quintet! The power here really comes from a triad of three players – reedman Buddy Collette, mentioned in the title and playing flute, alto, tenor, and clarinet; guitarist Jim Hall, whose spacious use of his instrument set new standards with this record; and cellist Fred Katz, often an unsung hero whose gentle sound shapes really helped bring a sense of tone and color to the group. Also featured is bassist Carson Smith, giving the same great sensitive accompaniment here he did in Gerry Mulligan's early quartet – and Chico himself is on drums, of course, but often playing with unusual timings and touches that really make for a lot more than conventional rhythm! Titles include "Blue Sands", "The Sage", "A Nice Day", "Buddy Boo", and "Spectacular" – as well as "Free Form", which is totally improvised – although in a way that's very different from any 60's track that would have the same sort of name! © 1996-2024, Dusty Groove, Inc.
Near Mint - (minus)
- Black vinyl that may show a slight amount of dust or dirt.
- Should still be very shiny under a light, even with slight amount of dust on surface.
- One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
- May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
- May have some slight marks from aging of the paper sleeve on the vinyl.
- Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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