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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A very unique album from Sonny Rollins – one that features him blowing tenor over some Latin-based rhythms that have a tight uptempo feel. The core group on the album features Jim Hall on guitar, Bob Cranshaw on bass, and Ben Riley on drums – but they're augmented by larger ... LP, Vinyl record album
With Walter Smith and Walter Wax on cornet, Johnny Sterling on clarinet, Charlie Romano on violin, Fred Duro on piano, Gus Levene on guitar, Bernie Miller on bass, and Murray Gaer on drums. Vocals by Loretta Lee, Barry Wells, Allen Church, Sonny Schyyler, Dolly Dawn, and Johnny McKeever. LP, Vinyl record album
A rare electric outing from legendary altoist Jackie McLean – and one that comes off surprisingly well, given that the move was quite a shift for the reedman! The album's got a spiritual current that McLean developed in some of his earlier 70s material – like his gems for the ... LP, Vinyl record album
Reed player Hal McKusick has always been one of our favorite talents from the 50's, but he always seems to be overlooked by the history books because he's not easy to fit in with any of the larger schools of jazz. With his beautiful measured style on alto and clarinet, he certainly wasn't a bopper ... LP, Vinyl record album
A collection of Hamp's late 30s recordings issued in 1959, featuring Chu Berry, Lawrence Brown, Rex Stewart, Ziggy Elman, Harry Hames, Dizzy Gillespie, Benny Carter, Cootie Williams, Jonah Jones, Coleman Hawkins, Nat King Cole, and many more! LP, Vinyl record album
A second album of trad tracks recorded as a sequel to Pete Kelly's Blues, the big hit done for RCA under the aegis of Jack Webb. The players and format of this one are pretty much the same as the first: the group's a septet, with Matty Matlock on clarinet, Nick Fatool on drums, and Goerge Van Eps ... LP, Vinyl record album
One of the many nice sides that Hines made during the 60s, when he was being rediscovered by the labels, and touted as a traditionalist who was still working to expand his style. The group's here are nice and small, and Hines trio is augmented by either Budd Johnson or Ray Nance on most tracks. ... LP, Vinyl record album
A lively little concet performance from the Lionel Hampton group – with Hamp himself on vibes, plus piano and drums – and a lineup that includes Snooky Young and Joe Newman on trumpets, Al Grey and Garnett Brown on trombones, Billy Mackel on guitar – and Jerome Richardson, Frank ... LP, Vinyl record album
The quintessential sound of late 60s Horace Silver – on one hand still very much in the Blue Note soul jazz groove that earned him plenty of jukebox single play, but on the other hand really stretching out with a style that's a bit more righteous than before! Horace shows that he can still ... LP, Vinyl record album
A great date from the revival years of Johnny Lytle – his stretch for Muse Records at the end of the 70s, and a bit of a return to his soul jazz roots of the 60s! The tracks here are a bit longer than before, but they've got a similar sort of energy – a nice rhythmic undercurrent that ... LP, Vinyl record album