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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Later work from swing sax giant Charlie Barnet. While this theme seems rather un-PC these days, the style here is even more sophisticated than before – as the Barnet groove is updated with some nice 50s arrangements from Billy May. Includes Barnet's famous playing of "Cherokee", ... LP, Vinyl record album
Five (Shorty Rogers, Pete Jolly, Mel Lewis, Conte Candoli & Buddy Clark)
The Five was a nom-du-session for this west coast group featuring tenorist Bill Perkins, trumpeter Conte Candoli, and pianist Pete Jolly – over a set of arrangements and compositions by Shorty Rogers. Rogers was always one of the best of the west coast arrangers, and this set shows his ... LP, Vinyl record album
Groundbreaking work on vibes by Gary Burton – recorded in a setting that's live and open, yet quite groovy too! There's a rhythmic freeness that marks the set from the very first note – lessons learned from the generation of Ornette, yet taken in new direction – and definitely ... LP, Vinyl record album
Weird RCA promo designed to break the amazing talents of David Amram upon the unsuspecting world. Hard to imagine that any radio stations would actually program this "special", but the record does include some of Amram's nicer stuff for RCA, with a mix of funky tracks, and others with a ... LP, Vinyl record album
A landmark album from Sonny Rollins – one that marked his comeback in the early 60s, after a brief period of retirement, and which also initiated a string of incredible recordings with guitarist Jim Hall. Given Hall's gentleness and spare modernity on the guitar, a fan of Rollins' hard-blowin ... LP, Vinyl record album
This set brings together two 50s 7-inch EPs on RCA – Tony Scott Septet including Jimmy Nottingham, Kai Winding, Ed Wasserman, Danny Bank, Milt Hinton, and Osie Johnson; and Milt Bernhart with Shorty Rogers, Bud Shank, Bob Cooper, Jimmy Giuffre, Pete Jolly, Curtis Counce, and Irv Kluger. LP, Vinyl record album
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark ... LP, Vinyl record album
A super-long batch of messed-up funky jazz from Eddie Harris! The record's got Eddie working all aspects of the electric sax – in a similar style to some of his other work on the best Atlantic albums of the 70s (like Instant Death of Plug It In) – and the group features a shifting cast ... LP, Vinyl record album
This is the great Blue Note two-fer from the 70's that combines two rare Cecil Taylor albums from the 50's – one recorded for the Transition label, one for United Artists. First up is Jazz Advance – one of the best pre-1960 sessions by Cecil Taylor, recorded in Boston in 1956, and ... LP, Vinyl record album