This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs.
These are the grades that we use and what they mean for items that are not new copies.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally,
all of our records are graded visually;
considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
This is what it says, that the record is still held fast in shrink-wrap.
We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't
look original, or if the record seems to have undergone some damage over time,
we'll probably take it out of the wrapper to ensure that it's in good shape —
which is why we don't have more of these. In some cases the shrink-wrap may be
torn in spots, but if it's not possible the record has been taken out and played,
the record will still qualify as "Sealed".
Dusty Groove does not use the grades of Near Mint
(or Mint, for that matter) because in our experience, we find that no records
ever qualify for such a high grade. Even sealed records tend to have one or two
slight faults, enough to usually qualify them for a grade of NM- or lower. We've
often found that records which are clearly unplayed will have a slight amount of
surface noise, especially in quieter recordings.
Near Mint - (minus)
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Very Good + (plus)
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Vinyl can have some dirt, but nothing major.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Very Good - (minus)
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Good + (plus)
Vinyl may be dirty, or have one outstanding flaw,
such as a light residue, which could be difficult to clean.
May have marks on all parts, too many to qualify as Very Good-,
or several deeper marks, but the record should still be ok for play without skips.
In general, this is a record that was played a fair amount,
and handled without care. A typical example may be a record which has
been heavily played by a DJ, and carries marks from slip cueing.
Depending on the quality of the vinyl, may play with surface noise throughout.
A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
Will have marks across all parts of the playing surface,
and will most likely play with surface noise throughout.
May have some other significant flaws, such as residue, or a track that skips.
In most cases, a poor quality copy of a very difficult to find record.
This is a grade we rarely use, as we try not to sell records
in very bad condition, though in some rare cases we will list a
record in such bad shape that it does not conform to the standards above.
A "Fair" record will have enough marks or significant flaws that it
does not even qualify as "Good", but is a copy you might consider
for playing, if you're willing to put up with noise and/or flaws.
An example might be a recording with surface noise so heavy that
it is equal to the volume of the music. For records listed as "Fair",
we will describe the extent of the condition in the comments.
Like "Fair", we rarely list records in this condition,
as they represent the extreme low end of spectrum.
These records typically have multiple serious problems,
and we offer them as "relics" or "objects" only — for
those who want to at least have a copy of a record,
even if it is not really worthy of play, perhaps for the cover alone.
For these records, we will describe the extent of the condition in the comments.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A landmark late 50s album on Prestige Records – one of the label's key efforts to bring together some of the best talents in the hardbop business, and really let them loose on the kind of extended passages that weren't being recorded a few years before! The Cats here are all quite hip ones ... LP, Vinyl record album
Brilliant work as a leader from McCoy Tyner – and easily one of his most righteous albums ever – a true batch of spiritual gems that really takes the John Coltrane legacy one step further! Most numbers build with a modal vibe that's more Impulse Records than Blue Note – and ... LP, Vinyl record album
Milt Jackson joins the Oscar Peterson Trio – helping the group to hit some great new space with his magical work on vibes! Jackson's got an open, airy feel – an approach that almost lets Peterson punctuate the tunes a bit more with his piano – while the pair get strong rhythmic ... LP, Vinyl record album
Pivotal work from trumpeter Freddie Hubbard – a tight, edgy quintet performance that's done with a modern jazz sound that approaches the Blue Note "new thing" sound, but which stays just this side of the fence to keep in line with Freddie's other soulful work of the 60s – yet ... LP, Vinyl record album
The last album that Jimmy Heath ever gave the world – and a record that makes us miss him even more – as the whole thing takes Heath back to that spectacular mix of solo expressionist, thoughtful composer, and sensitive arranger territory of his best early years! And if you want proof ... LP, Vinyl record album
Rare Blue Note work from Dexter Gordon – an album that was recorded during Gordon's legendary run for the label in the 60s, but not issued until a brief vinyl pressing nearly 15 years later! The record's got Gordon vamping in tight hardbop formation – a sound that's strongly 60s Blue ... LP, Vinyl record album
Fantastic early work from Gil Evans – emerging here in this early session as an already far-thinking modernist. The tracks are shorter and less ambitious than some of Evans' work on Impulse, but the group is excellent – and even in a shorter format, the conception of the work still ... LP, Vinyl record album
Badass organ funk from the mighty Leon Spencer – a set that's got a bit of a fuller feel than some of his previous albums for Prestige – but a groove that's also equally great! The style here is somewhere between blacksploitation funk and some of the grooves from the CTI/Kudu camp ... LP, Vinyl record album
Beautiful live work from Bill Evans – issued here for the first time, and the kind of special concert that really makes a great addition to his classic catalog! Bill Evans live can really be something wonderful – and that's definitely the case here, as he makes this personal magic with ... LP, Vinyl record album
A record that hardly seems like workin at all, given the ease with which the group lays down the music – especially trumpeter Miles Davis, whose work here is like magic – and tenorist John Coltrane, who was really coming into his own with this recording! The set's one of a handful from ... LP, Vinyl record album
A beautiful record of light, lyrical piano jazz – and one of the best-selling jazz albums ever on Fantasy Records! Vince Guaraldi started the set as a tribute to the film Black Orpheus – and some of the album features his nice renditions of Jobim/Bonfa tunes like "Manha De ... LP, Vinyl record album
Quite possibly the most tripped-out of all albums by Jack DeJohnette – one that really shows his roots in many streams of the free, soul, and fusion jazz scenes of the time – and which is served up with a heck of a lot of surprises in the mix! Jack himself plays both drums and ... LP, Vinyl record album