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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A landmark LP by Eddie Harris – one that we go back to again and again over the years! The album shows not only the brilliance of the young Eddie Harris (a brilliance that was not easily matched later in his career), but also the brilliant way that the Chicago jazz scene of the 60's could ... LP, Vinyl record album
We can never get enough of Eddie Harris – and a record like this is a great reason why! Despite all the many different settings Eddie worked in at Atlantic, he still always stayed true to his roots – and a record like this is a perfect example of that – no electric horn, no funk, ... LP, Vinyl record album
Very cool sounds from the amazing Eddie Harris – a live set, cut at the popular Newport Jazz Festival – but one that's arguably even freakier and more freewheeling than some of Eddie's studio work for Atlantic! Eddie's horn is really plugged in for the set – a Varitone, which is ... LP, Vinyl record album
Mindblowing electric work from the great Eddie Harris – heard here on his famous late 60s combo that also features bass from the great Melvin Jackson! The music's got all the soulful currents of Eddie's earlier work, yet also takes on a trippier vibe too – since Harris plays an ... LP, Vinyl record album
One of the oddest Eddie Harris records for Vee Jay! One side's got a very young Muhal Richard Abrams doing the arrangements and playing piano, and features two great original tracks "Half & Half" and the extended "Yeah, Yeah, Yeah", which features chanting & percussion. ... LP, Vinyl record album
The birth of a genius! From the vantage point of the 21st century,Wayne Shorter hardly needs any introduction – but when he recorded this debut album in the late 50s, Shorter was just the new kid on the block – making a few important waves as the tenor star in Art Blakey's Jazz ... LP, Vinyl record album
One of Wynton Kelly's greatest albums, and an all-star hardbop session that includes Lee Morgan, Wayne Shorter, Paul Chambers, and Philly Joe Jones. With Philly Joe on drums, and Morgan and Shorter, the LP almost has the feel of a classic Art Blakey session for Blue Note, but Kelly's piano gives ... LP, Vinyl record album
A hard set of soul jazz grooves – recorded under the leadership of the great trombonist Benny Green, and one of his few albums not for Blue Note or Prestige! The sound is very much in the Prestige hardbop mode of the late 50s – and Green heads up a group that includes Gene Ammons and ... LP, Vinyl record album
A hard-hitting blowing session, cut very much in the mode of Gene's late 50s sides for Prestige – and with a very accomplished group of soul jazzers that includes Nat Adderley, Frank Foster, Bennie Green, and Frank Wess. The groove has a nice raw late night sound – and tracks are ... LP, Vinyl record album
An obscure moment in Yusef Lateef's career – and a great one too! The material on this set was recorded in 1960 for Vee Jay Records, but wasn't issued until the mid 70s – and even then, only briefly, on a short-lived pressing that soon went out of print. That status doesn't stop the ... LP, Vinyl record album
Rare live material from Duke Ellington – first issued back in the 70s, but undoubtedly recorded decades before! The set's got a nicely gritty feel – that Ellington orchestra approach before they'd gotten too sure of themselves, and had lots of sharp edges – as you'll hear in the ... LP, Vinyl record album
In the years after Charlie Parker passed away, tributes to his greatness were a very common thing in local jazz scenes across the US. This is a prime example of that tradition, but way more than that, it's also a killer Chicago jazz session from the old days – featuring trumpeter Ira ... LP, Vinyl record album