This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
The Euro (€), Pound (£), and Japanese Yen (¥) prices listed here are all approximate prices,
to be used for comparison purposes only.
They are updated every day based on currency rates quoted to us by our bank —
please understand that the final rate charged to you by your bank may differ.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A Japanese-only collection of work from Cannonball Adderley's Riverside years – one that appears to have a few rare tracks! Titles include "Straight No Chaser" recorded at Jazz Workshop with Nat Adderley on cornet, Bobby Timmons on piano, Sam Jones on bass, and Louis Hayes on drums ... LP, Vinyl record album
2 sets of classic live soul jazz material from the group that invented the genre! Cannonball's caught live in 2 settings, one per disc – live at the Jazz Workshop in 1959, with Bobby Timmons, Sam Jones, and brother Nat; and again at the Village Vanguard in 1962, again with brother Nat and ... LP, Vinyl record album
A key meeting of Cannonball Adderley and David Axelrod – and one of the pair's first larger collaborations together! The album features Cannonball solos over larger backings by Oliver Nelson – with some occasional help from brother Nat Adderley – all produced with that dark ... LP, Vinyl record album
Very early work from Cannonball Adderley – recorded way before the funky years, when he was a hard-wailing soulful soloist with a lot of bop in his style! Cannon's paired here with brother Nat, a good companion even at this early stage – and the two of them solo in front of a large ... LP, Vinyl record album
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect ... LP, Vinyl record album
A late 50s Riverside issue of 12 rare 20s recordings by Jelly Roll Morton – recorded for a variety of small labels in and around Chicago, and presented here with good notes on the material. Titles include "Mamamita", "35th Street Blues", "Big Fat Ham", "High ... LP, Vinyl record album
A strong early one from Johnny Hammond – one that features him working in a groovy group that includes Thad Jones on trumpet, Seldon Powell on tenor and flute, and Eddie McFadden on guitar. The addition of horns gives the set a bit more punch than some of Johnny's other sides from the time ... LP, Vinyl record album
A stunning pre-Columbia session from Thelonious Monk – a really great live date that has Monk's familiar quartet augmented by west coast players Joe Gordon on trumpet and Harold Land on tenor! Given that Charlie Rouse is already in the group on tenor, the addition of Land's horn makes for a ... LP, Vinyl record album
An unlikely pair, but a great one here – and the record's one of those few magical moments where bringing together unusual partners actually works! Mulligan's cool hardly seems a match for Monk's angular modernism, but together the players seem to strike a middle ground that resonates with ... LP, Vinyl record album
Everybody Digs Bill Evans – or at least it certainly seems that way from the cover endorsements by Miles Davis, Cannonball Adderley, and Ahmad Jamal – but the real proof is in the record, and the set is a great one from Bill's classic years on Riverside! Evans is at the peak of his ... LP, Vinyl record album
Kind of a hodge-podge from different sessions – but a nice little record, and one that's come to stand on its own over the years, thanks to the strength of the work! The album's a set of previously unissued tunes from Riverside sessions of the late 50s - material from classic dates that didn' ... LP, Vinyl record album