This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs.
These are the grades that we use and what they mean for items that are not new copies.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally,
all of our records are graded visually;
considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Sealed
This is what it says, that the record is still held fast in shrink-wrap.
We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't
look original, or if the record seems to have undergone some damage over time,
we'll probably take it out of the wrapper to ensure that it's in good shape —
which is why we don't have more of these. In some cases the shrink-wrap may be
torn in spots, but if it's not possible the record has been taken out and played,
the record will still qualify as "Sealed".
Near Mint
Dusty Groove does not use the grades of Near Mint
(or Mint, for that matter) because in our experience, we find that no records
ever qualify for such a high grade. Even sealed records tend to have one or two
slight faults, enough to usually qualify them for a grade of NM- or lower. We've
often found that records which are clearly unplayed will have a slight amount of
surface noise, especially in quieter recordings.
Near Mint - (minus)
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Very Good + (plus)
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Very Good
Vinyl can have some dirt, but nothing major.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Very Good - (minus)
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Good + (plus)
Vinyl may be dirty, or have one outstanding flaw,
such as a light residue, which could be difficult to clean.
May have marks on all parts, too many to qualify as Very Good-,
or several deeper marks, but the record should still be ok for play without skips.
In general, this is a record that was played a fair amount,
and handled without care. A typical example may be a record which has
been heavily played by a DJ, and carries marks from slip cueing.
Depending on the quality of the vinyl, may play with surface noise throughout.
Good
A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
Will have marks across all parts of the playing surface,
and will most likely play with surface noise throughout.
May have some other significant flaws, such as residue, or a track that skips.
In most cases, a poor quality copy of a very difficult to find record.
Fair
This is a grade we rarely use, as we try not to sell records
in very bad condition, though in some rare cases we will list a
record in such bad shape that it does not conform to the standards above.
A "Fair" record will have enough marks or significant flaws that it
does not even qualify as "Good", but is a copy you might consider
for playing, if you're willing to put up with noise and/or flaws.
An example might be a recording with surface noise so heavy that
it is equal to the volume of the music. For records listed as "Fair",
we will describe the extent of the condition in the comments.
Poor
Like "Fair", we rarely list records in this condition,
as they represent the extreme low end of spectrum.
These records typically have multiple serious problems,
and we offer them as "relics" or "objects" only — for
those who want to at least have a copy of a record,
even if it is not really worthy of play, perhaps for the cover alone.
For these records, we will describe the extent of the condition in the comments.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A great South African jazz session from the 70s – and one that's got all the soulful currents you might expect from the group's name! There's definitely a spiritual jazz approach here at times – but the group also picks up the groove at other points too, and almost seems to resonate ... LP, Vinyl record album
Never-issued material from the legendary South African pianist Tete Mbambisa – all recorded in the mid 70s, right around the time of Tete's classic albums! The double-length set is a treasure trove of soulful SA jazz expression – and tunes move between slightly funky numbers to others ... LP, Vinyl record album
Back in the first decade of this century, Build An Ark were one of the few groups to really carry forward the spiritual jazz legacy of the 70s – part of the same LA underground that rose up on Nimbus Records back in the day, and guided by the unstoppable power of Carlos Nino – who ... LP, Vinyl record album
A brilliant setting for the spiritual reed talents of the legendary Idris Ackamoor – set here amidst more meditative sounds from Carlos Nino, who uses percussion and other instrumentation to create a magical landscape of sounds – while guitarist Nate Mercereau also joins in the mix, and ... LP, Vinyl record album
Ronald Langestraat has been in more jazz-based territory in the past, but here he adds in a bit more rhythm and opens up a groove – quite a surprise for this octogenarian musician! Ronald sings on many tracks, with this cool raspy voice that slides in and out of the grooves nicely – as ... LP, Vinyl record album
One of the first albums ever as a leader from the young Gary Bartz – and an instant spiritual jazz classic that showed the world that he was well on his way! Bartz blows alto here, in a setting that's equal parts Impulse and Strata East – a killer group that features Pharoah Sanders on ... LP, Vinyl record album
Soaring work from the legendary John Coltrane Quartet – a session that was incredibly far-reaching for the time, and which originally was unissued until after the time of Coltrane's death! The record's got the group really pushing forward strongly – hitting a Love Supreme mode, but ... LP, Vinyl record album
Early work from this tremendous Japanese saxophonist – working here on both alto and soprano sax, in styles that are sharply angular, but also quite warm and soulful! Kosuke Mine's got a quality that's a bit like Joe Henderson at the same time – obviously informed by earlier hardbop, ... LP, Vinyl record album
Not the disco promised in the title – but a sweet batch of funky tracks from Japanese reedman Jiro Inagaki – easily one of his hippest albums of the 70s! Rhythms are super-tight – very much in the best mid 70s space of Fatback Band or Kool & The Gang – and carried off ... LP, Vinyl record album
Reedman Soren Skov's in a great orbit here – blowing tenor with a nicely moody combo – one who've got these slow-building sounds that seem to circle the tenor in the lead, while also building up some richer currents of energy in the process! There's a nice sense of echo in the ... LP, Vinyl record album
One of the few American albums by Jutta Hipp – a key figure in the German jazz scene of the postwar years, recording here at the Hickory House in New York! The album's a trio date, but it's got more than enough modern energy to warrant inclusion in the Blue Note 1500 series of the 50s – ... LP, Vinyl record album
A really majestic album from Japanese keyboardist Hiromasa Suzuki – a set that maybe takes inspiration from the progressive side of the rock spectrum at the time, but which delivers the goods with a style that's definitely jazz all the way through! Suzuki plays both acoustic piano and ... LP, Vinyl record album