Quite possibly our favorite Esquivel album ever – a tremendous little session that was recorded for RCA's Stereo Action series – with incredible sound that leaps back and forth between each speaker! The notes describe the record as having a "block long sound" – given that Juan Garcia recorded the record in 2 different studios, a block apart – and given the dynamic range of the music, you can almost believe that quote, given the way the instrumentation leaps around! There's a definite Latin flavor here – thanks to more bottom percussion than before – but all instruments really come off beautifully, including guitar and piano, and lots of other odd bits too. There's a slight bit of vocals, but not much – and titles "Jungle Drums", "Estrellita", "Latin-esque", "La Paloma", "La Raspa", "You Belong To My Heart", and "Cachito". (Stereo pressing. Cover has seam splitting.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.