This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs.
These are the grades that we use and what they mean for items that are not new copies.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally,
all of our records are graded visually;
considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Sealed
This is what it says, that the record is still held fast in shrink-wrap.
We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't
look original, or if the record seems to have undergone some damage over time,
we'll probably take it out of the wrapper to ensure that it's in good shape —
which is why we don't have more of these. In some cases the shrink-wrap may be
torn in spots, but if it's not possible the record has been taken out and played,
the record will still qualify as "Sealed".
Near Mint
Dusty Groove does not use the grades of Near Mint
(or Mint, for that matter) because in our experience, we find that no records
ever qualify for such a high grade. Even sealed records tend to have one or two
slight faults, enough to usually qualify them for a grade of NM- or lower. We've
often found that records which are clearly unplayed will have a slight amount of
surface noise, especially in quieter recordings.
Near Mint - (minus)
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Very Good + (plus)
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Very Good
Vinyl can have some dirt, but nothing major.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Very Good - (minus)
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Good + (plus)
Vinyl may be dirty, or have one outstanding flaw,
such as a light residue, which could be difficult to clean.
May have marks on all parts, too many to qualify as Very Good-,
or several deeper marks, but the record should still be ok for play without skips.
In general, this is a record that was played a fair amount,
and handled without care. A typical example may be a record which has
been heavily played by a DJ, and carries marks from slip cueing.
Depending on the quality of the vinyl, may play with surface noise throughout.
Good
A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
Will have marks across all parts of the playing surface,
and will most likely play with surface noise throughout.
May have some other significant flaws, such as residue, or a track that skips.
In most cases, a poor quality copy of a very difficult to find record.
Fair
This is a grade we rarely use, as we try not to sell records
in very bad condition, though in some rare cases we will list a
record in such bad shape that it does not conform to the standards above.
A "Fair" record will have enough marks or significant flaws that it
does not even qualify as "Good", but is a copy you might consider
for playing, if you're willing to put up with noise and/or flaws.
An example might be a recording with surface noise so heavy that
it is equal to the volume of the music. For records listed as "Fair",
we will describe the extent of the condition in the comments.
Poor
Like "Fair", we rarely list records in this condition,
as they represent the extreme low end of spectrum.
These records typically have multiple serious problems,
and we offer them as "relics" or "objects" only — for
those who want to at least have a copy of a record,
even if it is not really worthy of play, perhaps for the cover alone.
For these records, we will describe the extent of the condition in the comments.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A great package of singles from the legendary Shrine Records label – a small imprint from the capital city, and one who became famous with soul collectors for the high quality of their releases! Shrine's always been a favorite for Northern Soul lovers, and there's plenty of upbeat groovers ... 7-inch, Vinyl record
Two of our favorite grooves from Hammond hero Charles Earland! "Murilley" is an early 80s gem, and sometimes overlooked – this fast jazzy stepper that not only features excellent organ work from Charles next to tight, soulful horns – but also includes some great vocals too! ... 7-inch, Vinyl record
An unreleased gem from deeply soulful singer Carolyn Crawford – a cut that's got these slightly funky drums that really set the tone right from the start – this nice snapping groove that seems to have Carolyn's vocals soar even more! And those vocals take on a nicely different vibe on ... 7-inch, Vinyl record
Great 70s harmonies from Classic Example – soaring here over a tune that has so much warmth and charm, it's hard to believe it's about a breakup! The track has these horns that cascade along with the vocals – and this lilting vibe that's completely compelling right away! "I Found ... 7-inch, Vinyl record
A storming cut from Dee Erwin – one that has raw vocals on the top, but a tight groove at the core – bubbling with righteous energy that's further enforced by these soaring backup female vocals! The groove is a great evolution from late 60s Detroit modes – and makes the cut one ... 7-inch, Vinyl record
Two great cuts from Clydene Jackson – a singer who works here with some great production work from Ray Charles! There's a romping piano line on "I Need Your Love", which sets a nicely soulful current for Clydene's soaring vocals – almost a Carole King sort of energy, but ... 7-inch, Vinyl record
Two great takes on the same tune – served up here by two different forces in the Motown empire! A later version of The Supremes take on the killer "Bend A Little" – grooving with these great arrangements that are almost disco, but more funky soul overall – then served ... 7-inch, Vinyl record
Two overlooked gems from James Brown – both in a cool pic sleeve 45! James does a fantastic job with "Never Can Say Goodbye" – taking the familiar 70s tune, but giving it this gently kicking funky backing that's great – while he also improvises vocally a bit over the ... 7-inch, Vinyl record
A cool tropical groover from the Italian sound library scene of the 70s – given a sweet remix here too! "Oasi Nella Giungla" is from the Africa Oscura project by Giulani Sorgini – nicely percolating percussion, topped with a bit of birdcalls and other jungley elements – ... 7-inch, Vinyl record
Three funky takes on the theme from this cool Italian film of the 70s! The "Poliziesco" mix is strong and upbeat, like some great crime/cop cut from the time – while the "Indagine" mix is still funky, but slows things down and adds in some very nice wah wah guitar! And ... 7-inch, Vinyl record
Two great tracks from this excellent Italian soundtrack – both of which might be among some of the funkiest work ever from maestro Riz Ortolani! "Serena E Lomunno" has a skittish snare, bubbling bassline, and a very cool mix of piano and organ keyboard work – echoing out in a ... 7-inch, Vinyl record
A totally great slice of 70s work from Pharoah Sanders – a rare Japanese single that offers radio edits of two tracks from his sublime project for India Navigation! "Harvest Time" is wonderful – this hypnotic bassline, watery light guitar lines, and a raspy, soulful tenor ... 7-inch, Vinyl record