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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and ... LP, Vinyl record album
An undated Cannonball Adderley live set – but most likely from the early 70s, given that the group features electric keyboards by Mike Wolf, bass by Walter Booker, and drums by Roy McCurdy. The album has the group opening up a lot more than on Cannon's live sets for Capitol – playing ... LP, Vinyl record album
2 sets of classic live soul jazz material from the group that invented the genre! Cannonball's caught live in 2 settings, one per disc – live at the Jazz Workshop in 1959, with Bobby Timmons, Sam Jones, and brother Nat; and again at the Village Vanguard in 1962, again with brother Nat and ... LP, Vinyl record album
Classic funky soul jazz playing by Cannonball and one of his great groups, caught live in San Francisco, with a nice hard groove that you don't always get in their studio recordings. The record includes a stellar 11 minute version of "The Jive Samba", one of Cannonball's greatest track, ... LP, Vinyl record album
One of the greatest Cannonball Adderley albums from the Riverside years – a completely smoking live date recorded in San Francisco, often with long tracks that really let the group open up and do their thing! The lineup here is that classic one that first grabbed attention – the group ... LP, Vinyl record album
If the 60's ever had a "hit" jazz record, it was probably this one! The album's a sparkling live session featuring the trademark soul jazz sounds of the Cannonball Adderley group with Joe Zawinul on acoustic and electric piano, and brother Nat Adderley on cornet. The tracks have a long ... LP, Vinyl record album
An album that definitely lives up to its title – given the great change and evolution in the style of Cannonball Adderley's music – definitely pointed towards the soul jazz fame to come in the 60s! The group here has Adderley's alto in the company of some all-stars who may not be his ... LP, Vinyl record album
Pretty darn hip stuff – and with some great soloing by Cannonball! The record features Adderley's alto fronting a large group conducted by Ernie Wilkins, and featuring a host of hip players like Melba Liston, Oliver Nelson, Jerome Richardson, Ray Barretto, Sam Jones, and Wynton Kelly. The ... LP, Vinyl record album
Beautiful early work from Cannonball Adderley – and a record that's quite different than most of his better known sets from the time! The album's more spare and stripped-down than usual – with Cannon's alto in a quartet alongside Bill Evans on piano, Percy Heath on bass, and Connie Kay ... LP, Vinyl record album
One of the greatest Bobby Hutcherson albums for Blue Note – a classic session recorded in quartet form, with a style that seems to set a whole new standard for the vibes in modern jazz! The group here is sublime – Herbie Hancock on piano, Bob Cranshaw on bass, and Joe Chambers on drums ... LP, Vinyl record album
One of Jimmy's funkiest albums ever – a sweeeeet batch of short, hard, and funky cuts – and a record that ranks right up there with the mighty Soul Sugar for sheer funkiness! Jimmy takes an upbeat and easygoing approach to the late 60s funk sound, with a nice, rubbery bass and the ... LP, Vinyl record album