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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Pure genius from Lou Donaldson – proof that his voice on the alto sax was one of the freshest in the post-Charlie Parker years! Lou's blowing here with a lively intensity that's clearly inspired by Parker, but which diverges from it quite a bit – taking a similar blend of inspiration ... LP, Vinyl record album
A great mid 60s session by Lou Donaldson – a bridge between his earlier Blue Note recordings and his styles of the mid and late 60s, featuring an electric group with Billy Gardner on organ, Grant Green on guitar, Ben Dixon on drums, and Bill Hardman on trumpet. The tracks have the same tight ... LP, Vinyl record album
A killer session from Horace's famous quintet that included Blue Mitchell, Junior Cook, Gene Taylor, and Louis Hayes – one of the group's earliest recordings for Blue Note – and also one of their best! The band had a unique mix of rootsy soul jazz playing and more exotic approaches to ... LP, Vinyl record album
One of Lou's more unique sides of the 60s – as the album features him as the main soloist over arrangements by a group headed up by Oliver Nelson. As has been ably demonstrated on many sides on labels like Verve, Impulse, and Capitol – there's no better talent than Nelson for taking a ... LP, Vinyl record album
A beautiful set from guitarist Earl Klugh – and one that really lives up to its title – a record that matches Earl's wonderful work on guitar with some sublime orchestral charts from Dave Matthews! The approach is definitely different than some of Klugh's previous work, and makes the ... LP, Vinyl record album
One of the best of Lou's earlier Blue Note albums – a hard-wailing soul jazz set with some very hip conga in the mix! The group's a really solid one – Lou's famous early quartet – and Herman Foster plays piano, Peck Morrison's on bass, and Dave Bailey's on drums. A young Ray ... LP, Vinyl record album
Classic 60s soul jazz from Lou Donaldson – and one of the first albums that has him working with Grant Green on guitar and Baby Face Willette on organ! Both players were discovered by Lou and brought to New York for Blue Note – a move that not only helped give the Donaldson sound a ... LP, Vinyl record album
A 70s set that collects tracks from Les early years at World Pacific – playing in a very popular 60s soul jazz blend of jazz and gospel influences. Most titles feature Ron Jefferson on drums, but rare groove master Paul Humphrey appears on two songs, and Charles Kynard makes a cameo ... LP, Vinyl record album
A classic by Big John Patton! The master organ player is joined by Grant Green on guitar, and the much-overlooked drummer Hugh Walker – a fantastic player on the kit, little known, but who played with this incredible "skipping" groove – one that sounds that reminds us a lot ... LP, Vinyl record album
A massive classic from Lou Donaldson's funky years with Idris Muhammad on drums – an album that's filled with lots of bottom-heavy grooves, plus some great work on alto, guitar, and organ! Muhammad's drums are in fine fine form here – right up there with his other LD Blue Note work, if ... LP, Vinyl record album
Maybe the most evocative title of all the Three Sounds albums of the 60s – and one that really gets at the dark beauty of the entire record! By the time of this release (the group's 7th for Blue Note), Gene Harris and the trio had really come into their own – and were moving past ... LP, Vinyl record album
Early 60s magic from Horace Silver – working here at the height of his youthful powers! The album's a perfect example of the sound that Silver created while at Blue Note – a lyrically melodic approach to soul jazz, but one that was able to open up the rhythms past stock riffs and ... LP, Vinyl record album