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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Quite an obscure later session from Sonny Stitt – one recorded for the tiny Finite label, which we mostly know from more "out" recordings! The set features Sonny blowing straight and inside – but always with that clean, confident tone that followed nicely in the Roost years ... LP, Vinyl record album
A great little groover from Sonny Stitt – blowing here with a very soulful group that features piano by soul jazz giant Ronnie Matthews! Matthews is at his prime here, and his heavy left-handed approach lays out some wonderful grooves for Stitt – crackling little tunes that are extra-gr ... LP, Vinyl record album
An excellent album that has Stitt playing with moody string arrangements by Ralph Burns. This sort of album became one of the Verve trademarks after the success of the Charlie Parker & Strings sessions – but this Stitt LP gives the sound a whole new twist, thanks largely to Burns' ... LP, Vinyl record album
Sublime work from Stitt! The record has a subtle genius that's impossible to describe with words – as Stitt's tone and economy on the album's solos are the pure stuff that you only find after panning through an endless stream of post-bop LPs by players of his generation. The album's ... LP, Vinyl record album
A pretty wild album from legendary saxophonist Sonny Stitt – one that's quite different from the bop of his roots, but equally groovy in its own sort of way! The album is a handful that Sonny cut in the 70s with an electric vibe – similar to his work for Chess and Prestige records ad ... LP, Vinyl record album
Beautiful late 50s work from Stitt – filled with subtle complex solos, and a rich confident tone that was missing from earlier records! As with some of his other Verve sessions from the time, the track list is mostly standards – but unlike some Verve sessions, Stitt never gets lost in ... LP, Vinyl record album
A great set of Varitone sax numbers from Sonny Stitt – recorded for Prestige with a bit more bite than some of his albums of the type for Roulette! The album's got a tight tenor/organ vibe throughout – thanks to work on Hammond from Gene Ludwig, working under the "nom de date" ... LP, Vinyl record album
Hmmmmm . . . Can't figure out the title, but the record's a nice batch of mellow groovers, played by Stitt on the Varitone, which he was working very heavily with Selmer to promote at the time. The backing's got some strong players – like Don Patterson on organ, Jerome Richardson on flute, ... LP, Vinyl record album
A great session of 70s bop revival from the team of Sonny Stitt and Red Holloway – working here in the warm and sunny style of the great Catalyst label! The album Forecast has the two hornmen blowing to acoustic accompaniment from a trio that includes Art Hillary on piano, Larry Gales on ... LP, Vinyl record album
Excellent funky work from Lou Donaldson – and a groundbreaking record that was the first to feature him playing on Blue Note with drummer Idris Muhammad – who is listed on the session under his birth name, Leo Morris! Muhammad gives the album that crackling funky bottom sound that ... LP, Vinyl record album
Miles Davis' last studio session before a few years of seclusion – and a really monumental effort, probably the baddest of the electric period! The album does a great job of capturing the energy of the frenzied live sets from that time, and matching it with Teo Macero's cut and paste editing ... LP, Vinyl record album
Material that was recorded in the early 60s, but not issued by Blue Note until later in the decade – when they were pulling out any Jimmy Smith session they had, in order to compete with the bigger hits on Verve. The record features 4 extended tracks, with an all-star jam session lineup that ... LP, Vinyl record album