Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Into The Hot

LP (Item 15067) Impulse, 1961 — Condition: Very Good-
Gatefold
Just Sold Out!

LP, Vinyl record album

✈
❔

The harder of the two Gil Evans albums on Impulse to find, and the best – really far-reaching material that has Evans coming into contact with some of the hippest jazz players of his generation! The record's got three incredible tracks written by Cecil Taylor – a very bold move for Evans, given Taylor's strongly out reputation even at this point in his career – and possibly even more bold, given that Taylor's on the tracks playing piano, alongside players who include Archie Shepp, Jimmy Lyons, Sonny Murray, and Henry Grimes. The material's fantastic, and is a key part of Taylor's work at the time, and shows a very different setting for his piano – a bit of tension with the larger Evans group, in a way that's almost more compelling than his own early dates as a leader! Taylor titles include "Pots", "Bulbs", and "Mixed". The other tracks on the album were written by John Carisi, who wrote the classic "Israel" for Miles Davis' nine piece group in the late 40s – but who here contributes "Moon Taj", "Angkor Wat", and "Barry's Tune". Carisi's tracks are a bit more subdued, but no less wonderful – and arrangements are by Taylor and Carisi, of their own music, presented with the Evans modern touch. If you ever needed a record to convince you that Gil Evans was a genius, this is it!  © 1996-2019, Dusty Groove, Inc.
(Orange & black label mono pressing with RVG stamp.)

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


Archie Shepp

For Losers
Impulse, 1969. Very Good- Gatefold
One of the grooviest albums from Archie Shepp's post-new thing years for Impulse – a nicely grooving session that mixes soul-based tracks with more righteous spiritual jazz moments! The approach here is a nicely varied – a laidback, collaborative spirit that's even quite different from ... LP, Vinyl record album
Impulse/ABC, 1973. Near Mint- Gatefold
Way nicer than some of Milt's earlier work – and one of the gems he recorded with bassist Ray Brown during the late 60s. The group's got a tight soul jazz stepping groove – with Monty Alexander on piano, comping along right over Ray's warm basslines in a very tasty way. Teddy Edwards ... LP, Vinyl record album
Impulse/ABC, 1973. Near Mint- Gatefold
Way nicer than some of Milt's earlier work – and one of the gems he recorded with bassist Ray Brown during the late 60s. The group's got a tight soul jazz stepping groove – with Monty Alexander on piano, comping along right over Ray's warm basslines in a very tasty way. Teddy Edwards ... LP, Vinyl record album

Quincy Jones

Quintessence
Impulse, 1961. Very Good Gatefold
A very soulful set of big band material from Quincy Jones – recorded during that tight early 60s period when his arrangements just couldn't fail! The album's his only session for Impulse, and it's got a slightly deeper style than his work from the time for Mercury – a bit more ... LP, Vinyl record album

Sonny Stitt & Paul Gonsalves

Salt & Pepper
Impulse, 1963. Very Good Gatefold
Head to head blowing from Sonny Sitt and Paul Gonsalves – just the kind of twin-horn performance that Stitt was famous for in his live battle days, and one that also reminds us that Gonsalves can be a very loose swinger when he wants to be! The tracks are all long, and played with the sort ... LP, Vinyl record album

George Wein & The Newport All-Stars

George Wein & The Newport All-Stars
Impulse, Early 60s. Very Good+ Gatefold
Trad jazz tunes played by a group led by Newport Jazz Fest impresario George Wein, and featuring players that include Ruby Braff, Marshall Brown, Bud Freeman, Pee Wee Rusell, and Bill Takas. Titles include "The Bends Blues", "Ja-Da", "Keepin Out Of Mischief Now", and ... LP, Vinyl record album

Keith Jarrett

Byablue
Impulse, 1976. Near Mint-
There's a nicely warming vibe on this album from Keith Jarrett – a sound that's sometimes a bit more laidback and personal, but which is still carried off with familiar associates Dewey Redman on tenor, Charlie Haden on bass, and Paul Motian on drums! Most of the tunes are shorter ... LP, Vinyl record album

Milt Jackson

Memphis Jackson
Impulse, 1970. Near Mint- Gatefold
One of the grooviest albums ever from the legendary Milt Jackson – an upbeat, almost funky set of soul jazz tracks – played with some great grooves on the bottom! Those trademark Jackson vibes are firmly in place, but the setting is quite different from the staid sounds of the MJQ ... LP, Vinyl record album

Coleman Hawkins

Today & Now
Impulse, 1962. Near Mint- Gatefold
A beautiful record – but that's no surprise, since most of the later work of Coleman Hawkins tends to be great! The setting is quite laidback – and Hawkins' time-weathered tenor is placed in a perfect setting with Tommy Flanagan on piano, Major Holley on bass, and Eddie Locke on drums. ... LP, Vinyl record album
Impulse, 1973. Very Good+ Gatefold
Chapter 2 of Gato's Latin American trilogy – and like the first, a set of tracks that features Gato's firey sax work engaging a complex series of Latin rhythms. Some of the tracks on the record feature Brazilian influences – from players like Helio Delmiro and Novelli – and one ... LP, Vinyl record album

Art Farmer

Work Of Art
New Jazz, 1954. Very Good-
A great batch of material that Art Farmer recorded for Prestige in the early fifties. This is way before he got hyper-lyrical, and his playing is raw and hard on a bunch of Quincy Jones arrangements, including the savage cut "Mau-Mau", which features a very early use of the electric bass ... LP, Vinyl record album

Clarence Wheeler & The Enforcers

Doin' What We Wanna
Atlantic, 1970. Very Good-
A landmark album from this legendary Chicago soul jazz combo – and a record that helped set the tone for changes to come in funky jazz for the 70s! Tenorist Clarence Wheeler heads up the group – and they've got an amazing organ/bass sound that's made them a legend with funk fans for ... LP, Vinyl record album
 



⇑ Top