This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Way nicer than some of Milt's earlier work – and one of the gems he recorded with bassist Ray Brown during the late 60s. The group's got a tight soul jazz stepping groove – with Monty Alexander on piano, comping along right over Ray's warm basslines in a very tasty way. Teddy Edwards ... LP, Vinyl record album
A simple formula, but one of Shirley's best records from the mid 60s, and a tight batch of quartet tracks that also features Stanley Turrentine on tenor. The title cut's a classic jazz stepper in Chicago, with a subtly loping groove that works pretty darn well. Other tracks include "Blue ... LP, Vinyl record album
Oliver Nelson's follow-up to his classic Blues & The Abstract Truth session for Impulse – and like that one, a tremendous little album – filled with deep tones and wonderful colors in sound! The group here's a bit larger than before – an ensemble that includes Phil Woods on ... LP, Vinyl record album
John Coltrane returns to the Village Vanguard – but his sound here is a lot more far-reaching than a few years before! The album's a great counterpart to the first Vanguard session – as it takes all of the bold, soaring energy of that date, and balances it with the newly introspective ... LP, Vinyl record album
Positive proof that JJ Johnson's one of the greatest trombone players ever – a sublime quartet session for Impulse Records, and one that features some of his most striking, stripped-down work of the 60s! The focus here is really on Johnson's amazing tone and timing – but the record ... LP, Vinyl record album
One of the killer albums that Michael White cut for Impulse Records in the early 70 – a sweet set of spiritual jazz that took his instrument to a whole new level! Normally, the violin isn't an instrument we love in jazz, but White really transforms it here – playing it with a stretched- ... LP, Vinyl record album
A great statement from vibist Milt Jackson – one of his key solo sessions in a great 60s run of recordings away from the Modern Jazz Quartet! Like the classics that followed this one, the vibe is much more soulful than any of Milt's records with the MJQ – kind of an extension of the ... LP, Vinyl record album
One of the few albums as a leader recorded by Dewey Redman during the years of his strongest contributions to avant garde jazz – a post-Coltrane, post-Ayler session that's filled with touches of the spiritualism that can be found in the work of other Impulse labelmates, such as Marion Brown ... LP, Vinyl record album
Quite possibly the best-remembered album from Pharoah Sanders' legendary run at Impulse Records – a set that crossed over big, and sold to countless folks who might not have bought a jazz album this hip otherwise! The record was Sanders' first in the wake of Coltrane's passing – and it' ... LP, Vinyl record album
One of Sam Rivers' most striking albums for Impulse, a record that has him leading a fairly large group – working in an "orchestral context", as the notes on the cover say, but not really a jazz orchestra – more of a freewheeling avant ensemble, in the tradition of work by ... LP, Vinyl record album
Although "Newport" can often mean "hokey" or "pandering" in the context of live jazz performances – this set is a cooker, one of Tyner's best for Impulse, and a really far-reaching set that has him showing sides he never expressed with Coltrane! The group on the ... LP, Vinyl record album
One of our favorite records by Earl Hines – a hip little comeback set, recorded in the mid 60s with an Ellingtonish lineup that includes Clark Terry, Cat Anderson, Ray Nance, Lawrence Brown, Jimmy Hamilton, and Johnny Hodges. Hines' piano is certainly a strong force in the record, but even ... LP, Vinyl record album