Stunning! This is a beautiful album that's one of Max Roach's most powerful recordings, and a record that's been the inspiration for countless other imitations over the years. Roach leads a group with Richard Williams, Clifford Jordan, and Mal Waldron – and they're matched with a vocal chorus led by Coleridge Perkinson, who also did the arrangements for Donald Byrd's classic "with voices" albums. Unlike those, though, this set's a damn angry bunch of compositions, and the chorus wails away in a loud screaming powerful mode that will blow away any of your preconceptions about the "with voices" mode. The group sings wordless vocals (except for one cut, which has Abbey Lincoln singing in the lead), and provides a searing backdrop of sound for the band's razor sharp playing. Every cut's a winner, and the whole thing's a masterpiece! Titles include "The Profit", "It's Time", and "Another Valley". (Rainbow label pressing – in nice shape! Cover has some light wear, but is quite nice too.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.