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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A pretty great set from Les McCann – and quite a bit different than some of his other work of the time! This one's sub-billed as "the ballad style of Les McCann" – but it features Les playing these laidback, mellow numbers that are way different than most jazz ballads of the ... LP, Vinyl record album
An unusual record, but a great one too – a set that mixes the offbeat reed work of Roland Kirk with some inventive ideas from a group of young west coast players! Some of the group members are names you'll recognize on their own from genre-crossing sessions for other labels – like ... LP, Vinyl record album
A great collection of (until then) previously-unreleased material – pulled from the Pacific Jazz vaults from a range of 50s sessions, and spanning some of Gerry's initial sides for the company, up to work that approached the late 50s date of this album's release. Material features Gerry in a ... LP, Vinyl record album
Great LA soul jazz session featuring the deep Texas tenor of Curtis Amy and the funky organ of Paul Bryant! Also present is Roy Brewster, the great, under-recorded LA valve trombonist, whose playing here gives the session a nice round bottom. 5 long cuts, with earthy, bluesy solos, and a very ... LP, Vinyl record album
One of the greatest albums of Brazilian jazz that Bud Shank ever recorded – done with a style that's a lot more like some of the best bossa albums from Rio at the time! Bud's recorded in other bossa settings before – but there's something about this record that really gets the whole ... LP, Vinyl record album
Very hard-burning work from Buddy's hip band of the mid 60s – a large ensemble, but one that features searing horn parts that cut through the bigger arrangements with ease! Buddy really had an ear for tuning power with personality at this point in his career – and although the group ... LP, Vinyl record album
An interesting early album from Chico Hamilton – one that has him working in a trio format, quite different than the chamber modern work of his more famous quintet! The style is not dissimilar, though – as the trio lineup is drums, bass, and guitar – with both of the stringed ... LP, Vinyl record album
A classic west coast session – and one of the few albums cut by tenorist Bill Perkins as a leader – and a date that's every bit as essential as postwar sides by other bigger names of the LA scene! Bill's got a great tone that really deserves to be heard – as lean and cool as ... LP, Vinyl record album
The only album we've ever seen from jazz drummer Larry Wrice – a Chicago player who really kicks it in a hard and heavy soul jazz groove! Larry's got an approach to the kit that's quite a lot like that of Joe Dukes – one that's always concerned with pushing the rhythms of the tune very ... LP, Vinyl record album
Totally totally cool LP that has this groovy group playing with Oliver Nelson – who plays soprano on most tracks. The sound is very groovy, and very Now Sound, with a female vocal duet, and mod swingin' jazzy lyrics. The LP's got a nice version of "My Favorite Things", a cool ... LP, Vinyl record album
A lost Hammond classic – from organist Mick Weaver, who famously worked with the group Traffic! This set's a lot different than the work he did in that band, though – as the album's all instrumental, and has a quick-stepping, all-soul sound that's a lot like the best Jimmy McGriff ... LP, Vinyl record album