This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs.
These are the grades that we use and what they mean for items that are not new copies.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally,
all of our records are graded visually;
considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Sealed
This is what it says, that the record is still held fast in shrink-wrap.
We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't
look original, or if the record seems to have undergone some damage over time,
we'll probably take it out of the wrapper to ensure that it's in good shape —
which is why we don't have more of these. In some cases the shrink-wrap may be
torn in spots, but if it's not possible the record has been taken out and played,
the record will still qualify as "Sealed".
Near Mint
Dusty Groove does not use the grades of Near Mint
(or Mint, for that matter) because in our experience, we find that no records
ever qualify for such a high grade. Even sealed records tend to have one or two
slight faults, enough to usually qualify them for a grade of NM- or lower. We've
often found that records which are clearly unplayed will have a slight amount of
surface noise, especially in quieter recordings.
Near Mint - (minus)
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Very Good + (plus)
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Very Good
Vinyl can have some dirt, but nothing major.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Very Good - (minus)
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Good + (plus)
Vinyl may be dirty, or have one outstanding flaw,
such as a light residue, which could be difficult to clean.
May have marks on all parts, too many to qualify as Very Good-,
or several deeper marks, but the record should still be ok for play without skips.
In general, this is a record that was played a fair amount,
and handled without care. A typical example may be a record which has
been heavily played by a DJ, and carries marks from slip cueing.
Depending on the quality of the vinyl, may play with surface noise throughout.
Good
A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
Will have marks across all parts of the playing surface,
and will most likely play with surface noise throughout.
May have some other significant flaws, such as residue, or a track that skips.
In most cases, a poor quality copy of a very difficult to find record.
Fair
This is a grade we rarely use, as we try not to sell records
in very bad condition, though in some rare cases we will list a
record in such bad shape that it does not conform to the standards above.
A "Fair" record will have enough marks or significant flaws that it
does not even qualify as "Good", but is a copy you might consider
for playing, if you're willing to put up with noise and/or flaws.
An example might be a recording with surface noise so heavy that
it is equal to the volume of the music. For records listed as "Fair",
we will describe the extent of the condition in the comments.
Poor
Like "Fair", we rarely list records in this condition,
as they represent the extreme low end of spectrum.
These records typically have multiple serious problems,
and we offer them as "relics" or "objects" only — for
those who want to at least have a copy of a record,
even if it is not really worthy of play, perhaps for the cover alone.
For these records, we will describe the extent of the condition in the comments.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Back in the first decade of this century, Build An Ark were one of the few groups to really carry forward the spiritual jazz legacy of the 70s – part of the same LA underground that rose up on Nimbus Records back in the day, and guided by the unstoppable power of Carlos Nino – who ... LP, Vinyl record album
A really beautiful album of spiritual soul jazz – featuring the Visions group of tenorist Sam Sanders, an ensemble that worked in Detroit for many years, but rarely made it out of the Motor City! This album's a fantastic demonstration of Sanders' talent and power – wonderfully ... LP, Vinyl record album
A classic set of soul jazz from Chicago – a rare indie date recorded in the early 80s, but with a tight and swinging feel that's more 70s jazz funk than you might think! Corky's on Yamaha keyboards, and he's backed by a hip group of Chicago players that includes Curtis Prince on drums, Artee ... LP, Vinyl record album
An incredible performance from the great Don Cherry – one that's maybe the most perfect summation we've ever heard of his ability to embrace a globe's worth of influences and make them his own! The set was recorded live at a French jazz festival in 1972, and it has a very compelling group ... LP, Vinyl record album
A landmark album in the history of South African jazz – a set that marks a real shift in the way the music was put together, and maybe a new sort of sophistication that would really mark the scene in years to come! The album's not the first recording from pianist Gideon Nxumalo, but it ... LP, Vinyl record album
Here's a summer house we'd really like to visit on our next vacation – a legendary spot in Sweden, where Don Cherry created freely with some of the hippest players on the local scene in 1968! The tracks here were all recorded for later commercial release, which never ended up happening ... LP, Vinyl record album
Love Cry Want (Larry Young/Joe Gallivan/Stephen Nicholas)
Rare material that was originally recorded in 1972 by organist Larry Young – some of his most outside material ever, and done with a bunch of young musicians who wail on all of these weird electronic instruments! The set's way wilder even than any of Young's albums that were issued at the ... LP, Vinyl record album
Daniel Villarreal with Jeff Parker & Anna Butterss
Killer trio material from drummer Daniel Villarreal – a lean, clean record that's a really great showcase for all three players involved! The music's got a vibe that's more live and spontaneous than some other efforts on the International Anthem label, and a sound that's almost funky at ... LP, Vinyl record album
Solo Sun Ra, and a set that's heavy on Fender Rhodes as well – a record that's maybe a bit more inside than some of Ra's more avant live sessions, yet one that still features a fair bit of improvisation as well! From an electric piano perspective, the set's a gem – and it's great to ... LP, Vinyl record album
The first-ever album as a leader from Finnish saxophonist Eero Koivistoinen – an amazing debut that's filled with sharp notes and soaring rhythms! The style here is slightly modern, but also filled with a tremendous sense of soul – a deeply creative vibe that takes off from the hippest ... LP, Vinyl record album
Wonderfully tripped-out work from Finnish tenor giant Eero Koivistoinen – the first album recorded with his legendary Music Society group, and a strong departure from his straight jazz debut! The group here is expanded from before – with guitar from both Jukka Tolonen and Attilla ... LP, Vinyl record album
An amazing set from one of the best young players on the Swedish jazz scene – tenor saxophonist Jonas Kullhammar, a player with boundless depth and imagination! The title of the set may be "plays loud for the people" – but we'd like to amend that to "plays proud for the ... LP, Vinyl record album