Miles Spilsbury : Light Manoeuvers (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Light Manoeuvers

LP (Item 147153) New Dawn (UK), 2023 — Condition: New Copy
A record with an unassuming cover, but a wonderfully rich sound within – a set of easygoing spiritual jazz numbers that have a very live, very spontaneous vibe – in part because the musicians collaborated on the cuts in a very short span of time, and were able to create something very fresh and vibrant in the process! Miles Spilsbury leads the group on saxes and keyboards – and the lineup features additional piano and keys from Oliver Cadman, drums from Finn Booth, and a bit of vocals from Alizee Leriche – plus percussion and "texturising" from Carlos Nino – whose spiritual sonic touches are very clearly present on the recording! We're not sure why the record was issued in such a limited, white label pressing – as it hardly fits the depth of the music – yet perhaps that's also part of the mystery and charm as well. Titles include "Tungsten", "Water On Water", "Cyclamen", "Gratitude", "Light Theme", and "Cloud Formations".  © 1996-2024, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Spirits Rejoice

Spirits Rejoice
Jo'Burg/Frederiksberg (Netherlands), 1978. New Copy (reissue)
A great South African jazz session from the 70s – and one that's got all the soulful currents you might expect from the group's name! There's definitely a spiritual jazz approach here at times – but the group also picks up the groove at other points too, and almost seems to resonate ... LP, Vinyl record album

Tete Mbambisa

African Day
As Shams (South Africa), Mid 1970s. New Copy 2LP Gatefold (reissue)
Never-issued material from the legendary South African pianist Tete Mbambisa – all recorded in the mid 70s, right around the time of Tete's classic albums! The double-length set is a treasure trove of soulful SA jazz expression – and tunes move between slightly funky numbers to others ... LP, Vinyl record album

Ronald Langestraat

Light Years Away
South Of North (Netherlands), 2022. New Copy
Ronald Langestraat has been in more jazz-based territory in the past, but here he adds in a bit more rhythm and opens up a groove – quite a surprise for this octogenarian musician! Ronald sings on many tracks, with this cool raspy voice that slides in and out of the grooves nicely – as ... LP, Vinyl record album
New Dawn, 2000s. New Copy 3LP
Back in the first decade of this century, Build An Ark were one of the few groups to really carry forward the spiritual jazz legacy of the 70s – part of the same LA underground that rose up on Nimbus Records back in the day, and guided by the unstoppable power of Carlos Nino – who ... LP, Vinyl record album
On-U Sound (UK), 2008. New Copy (reissue)
UK trumpet legend Harry Beckett makes a surprising appearance here for the On-U Sound label – although maybe that's not much of a surprise, given all the diversely creative moments Beckett has had in his decades-long career! The format is very much in the best On-U Sound mode, but with a bit ... LP, Vinyl record album

Phi-Psonics

Cradle
Gondwana (UK), 2022. New Copy 2LP Gatefold
A wonderfully moody combo – one who are definitely in the more jazz-based side of the spectrum for the Gondwana label – but a group who also have a different vibe than label heavyweights like Matthew Halsall and Nat Birchall! There's a very loose, open approach going on here – ... LP, Vinyl record album

Anna Butterss

Mighty Vertebrate
International Anthem, 2024. New Copy
Really fantastic work from bassist Anna Butterss, and a set that's maybe more live and less assembled than her previous effort – with key contributions from some really great musicians who make the whole thing sound like a mighty strong group effort on most tracks! Butterrss handles electric ... LP, Vinyl record album

Bobby Bradford/Frode Gjerstad/Kent Carter/John Stevens

Blue Cat
No Business (Lithuania), 1991. New Copy
We never cease to be amazed at the sonic sensibilities of the cornet of Bobby Bradford – a musician who always seems to turn out stunning work, no matter what the decade! Here, Bradford is heard in an unissued live performance that features one long improvisation – but a piece that has ... LP, Vinyl record album

Yuji Takahashi & Sabu Toyozumi

Quietly Clouds & A Wild Crane
No Business (Lithuania), 1998. New Copy
The title's a wonderfully poetic one, and the music is too – very open improvisations between Sabu Toyozumi on drums and Yuji Takahashi on piano – along with plenty of percussion from both musicians too! There's a very spacious approach to the music – lots of thoughtful ... LP, Vinyl record album

Mototeru Takagi/Kim Dae Hwan/Choi Sun Bae

Seishin Seido
No Business (Lithuania), 1995. New Copy
A record of really powerful sounds from trumpeter Choi Sun Bae and tenorist Mototeru Takagi – both players who wrap around each other wonderfully at times, while still keeping their own strong sense of identity – given help at all the right moments from percussionist Kim Dae Hwan, a ... LP, Vinyl record album

Matthew Halsall

Ever Changing View
Gondwana (UK), 2023. New Copy 2LP
A spiritual masterpiece from Matthew Halsall – a record that still has the beautiful trumpet work we've loved from the start, but which also shows just how much Halsall has been expanding his talents in search of new meanings, and new modes of expression! Matthew handles a fair bit of ... LP, Vinyl record album
Strut (UK), 1986. New Copy 2LP
Some of the most unusual Sun Ra material of the 80s – a series of performances done with the Outer Space Visual Communicator – a unique instrument that mixed light and music together, and created a very trippy experience for both the Arkestra and the audience! Most of these tracks have ... LP, Vinyl record album
 



⇑ Top