This image is a general representation of the album cover, but the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. If the item offered is a used, second-hand item, please note that there may be some cosmetic differences as well.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A session of "collectors items" that Miles Davis recorded for Prestige in the 50s – both dates that were too short to be issued as albums by themselves, combined here into one full length record! The first batch of material is from 1953 – and features Davis working with Sonny ... LP, Vinyl record album
A set that has Buddy Tate working with Pat Jenkins on trumpet, Ben Richardson on alto and baritone, and Eli Robinson on trombone – all with rhythm from Sadik Hakim on piano, Wendell Marshall on bass, and Osie Johnson on drums. The group's a bit fuller than the usual Swingville session, but ... LP, Vinyl record album
One of Jimmy's funkiest albums ever – a sweeeeet batch of short, hard, and funky cuts – and a record that ranks right up there with the mighty Soul Sugar for sheer funkiness! Jimmy takes an upbeat and easygoing approach to the late 60s funk sound, with a nice, rubbery bass and the ... LP, Vinyl record album
Gerry Mulligan meets up with a great array of 50s modernists here – in specially setting dedicated to all Mulligan-penned compositions! Although a radical player himself on the baritone sax, Gerry also added something strong to the 50s jazz catalog with his great tunes from the early days ... LP, Vinyl record album
A west coast classic – featuring some of Bud Shank's best small group work of the mid 50s! The album has Shank playing in two different groups, one with Shorty Rogers on trumpet, one with the great Bill Perkins on tenor – and we'll be honest in saying that Perkins' tone is incredible, ... LP, Vinyl record album
Bud Powell's 5th album for Blue Note – and a nicely kicking trio session, recorded with Paul Chambers on bass and Art Taylor on drums. Bud's playing in a very minor groove here, with a lot of nice dark moments amidst his firey piano solos – and the team of Chambers and Taylor really ... LP, Vinyl record album
A massive classic from Lou Donaldson's funky years with Idris Muhammad on drums – an album that's filled with lots of bottom-heavy grooves, plus some great work on alto, guitar, and organ! Muhammad's drums are in fine fine form here – right up there with his other LD Blue Note work, if ... LP, Vinyl record album