Wonderful early work from Ben Sidran! The album's got a hip jazzy vocal style – similar to some of the best late 60s work by Bob Dorough or Dave Frishberg, but also with New Orleans touches – as in the work of Mose Allison or Dr John! Sidran brings in a smoother, groovier feel than those artists, though – and really helps out his vocals with some great work on electric piano too! The instrumentation's got a tripped-out California feel – often quite open-ended, and really rumbling around for different influences from jazz, funk, and soul – almost like some of Shuggie Otis' best work of the time, or like some of Ben's contemporaries on the Blue Thumb label. Titles include the great instrumental "Lust" – plus "Eliyahu", "When A Woman Says She's Ready", "Talking About Money", "I Lead A Life", "Slippery Hip", and "Chances Are". (Cover has light edgewear.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.