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Time Machine

LP (Item 14694) RCA, 1966 — Condition: Near Mint-
Beautiful sounds from Gary Burton – a seminal 60s session that really has the vibist coming into his own, and finding that new path towards musical expression that would flower even more strongly in the 70s! The album has Burton really strengthening up his sense of chrome – matching the boldness of other important 60s vibes players on the rise – like Karel Velebny or Bobby Hutcherson – but also working this really special magic in the way he lets each note resonate in the air – often with a much longer decay on the sound than the actual moment of its creation! Burton also plays a bit of piano on the record, overdubbed with his vibes – but in a way that's quite different than the vibes/piano combo of earlier acts – like the MJQ, or George Shearing Quintet – thanks to work from Steve Swallow on bass and Larry Bunker on percussion. Tracks include "Six Nix Quix Flix", "The Sunset Bell", "Deluge", "Chega De Saudade", and "Falling Grace".  © 1996-2023, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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RCA (France), 1968. Near Mint- Gatefold
One of the most ambitious projects ever from vibist Gary Burton – an extended piece written by Carla Bley – and billed as "A Dark Opera Without Words"! The work has a feel that's much more fluid than opera, though – and is a great instrumental outing that not only ... LP, Vinyl record album
Atlantic, 1971. Very Good+
Hip work from both players – and Jarrett plays electric piano and soprano sax too – in a group that also features Sam Brown on guitar, Steve Swallow on bass, and Bill Goodwin on drums. Titles include "Como En Vietnam", "Fortune Smiles", "The Raven Speaks", ... LP, Vinyl record album

Joe Daley with Hal Russell

Joe Daley Trio At Newport 63
RCA, 1963. Very Good+
A rare modern jazz set from the early 60s – noteworthy in that it's one of the few recordings from the time of Chicago tenorist Joe Daley – who works here in a trio with the young Hal Russell on drums! And yes, that's the same Hal that later broke out strongly in the Windy City avant ... LP, Vinyl record album
RCA (France), 1957. Near Mint- Gatefold
Strictly Bud Powell, in the best sense of the word – as the album's a sharp batch of trio tracks recorded for RCA in the 50s, and a great showcase for Bud's firey talents on the piano! The rhythm combo features bold work on drums from Art Taylor, alongside the bass of George Duvivier – ... LP, Vinyl record album
RCA, 1965. Sealed
One of the many nice sides that Hines made during the 60s, when he was being rediscovered by the labels, and touted as a traditionalist who was still working to expand his style. The group's here are nice and small, and Hines trio is augmented by either Budd Johnson or Ray Nance on most tracks. ... LP, Vinyl record album

Paul Desmond

Take Ten
RCA, 1963. Very Good
That's "Take Ten", not "Take Five" – a great title cut that echoes Paul Desmond's previous work with Dave Brubeck – but which then gives way quickly to some sweet bossa-styled grooves done with guitar from Jim Hall! The album's one of the strongest of the ... LP, Vinyl record album

Wild Bill Davis & Johnny Hodges

Con Soul & Sax
RCA, 1965. Very Good+
One of the great tenor and organ dates cut for RCA in the 60s by the team of Johnny Hodges and Wild Bill Davis! Guitar is by Mundell Lowe and Dickie Thompson – and titles include "Con Soul & Sax", "On Green Dolphin Street", "Johnny Come Lately", "No ... LP, Vinyl record album

Sauter-Finegan Orchestra

Concert Jazz
RCA, Late 50s. Very Good+
The quirky Sauter-Finegan ensemble lay down a weird set of tracks with their usual high level of performance and keen sense of wit! Tracks include "Madame X", "Sleepy Village", "Pictures From Sauter-Finegan Land", and "The Land Between". Great stuff from a ... LP, Vinyl record album

Sauter-Finegan Orchestra

New Directions In Music
RCA, Early 50s. Near Mint-
Early stuff by this wildly creative orchestra, including classics like "Doodletown Fifers", "Stop! Sit Down! Relax! Think!", and "Azure Te". LP, Vinyl record album
RCA (France), 1957. Near Mint- Gatefold
A companion to the "Stricly Powell" set, one of Bud's more obscure sides from the 50s – a one-off date for RCA that features a trio that included Art Taylor on drums and George Duvivier on bass. We've always loved the Powell trio sides, and this rhythm section has a dynamic & ... LP, Vinyl record album
RCA (France), Late 20s/Early 30s. Near Mint- 2LP Gatefold
(Early 80s Black & White series pressing.) LP, Vinyl record album

Paul Desmond & Gerry Mulligan

Two Of A Mind
RCA, 1962. Near Mint- Gatefold
A reunion of sorts for Paul Desmond and Gerry Mulligan – given that the pair had played together on record 5 years before, in a similar session for Verve! This album's almost lighter and more airy than the previous one – as it's done in a mode that echoes strongly with Desmond's own ... LP, Vinyl record album
 



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