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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Post-Black Jazz recording by Calvin Keys, but still for the same parent label (Ovation), and still with the same sort of feel. Kirk Lightsey's on piano, Henry Franklin's on bass, and Leon Chancelor's on drums, and Keys' guitar sounds great next to sax solos by Charles Owens. Deep grooves include ... LP, Vinyl record album
Great work by this legendary hard swinging band – an early 60s American album issued on Atlantic Records, in the years before the Clark Boland Band's legendary run on MPS! Despite the early date, the album's got all the core elements of the band's sound in place – soaring rhythms, ... LP, Vinyl record album
By this point in his career, Les McCann's moved past straight jazz, and is spending a lot of time on vocals – sung in a nice raspy style that makes up for what it lacks in technique with a nice dose of soul! The record's got a few cuts that have some good funky riffs – like the jaunty ... LP, Vinyl record album
Rare sides recorded during Bud Powell's lost years in Paris! The set features Powell's piano in that famous Paris trio with Kenny Clarke on drums and Pierre Michelot on bass – working in a batch of tracks that features a fair bit of compositions by Thelonious Monk – a somewhat ... LP, Vinyl record album
One of Farmer's best sessions of the 70s – recorded in a mode that's a bit freer than usual, with a group that includes Hampton Hawes, Ray Brown, and either Steve Ellington or Shelly Manne on drums. Art Pepper sits in on 4 of the album's 6 tracks – and it's his tone and edgieness that ... LP, Vinyl record album
An important early album of compositions by Fred Katz – recorded at the time when he was the cello player in Chico Hamilton's groundbreaking late 50s group! The tunes are distinctly more modern than even his work with Chico – and are played by Hamilton-esque players that include Paul ... LP, Vinyl record album
Oscar pays tribute to Frank – but he uses his keys, not his voice – to come up with some great renditions of tunes from Sinatra's classic Capitol years! It's true that Peterson was known to vocalize on some sessions (most notably on his tribute to Nat King Cole, recorded a few years ... LP, Vinyl record album
A fantastic lost set from Evans – one that features Mingus trumpeter Johnny Coles as the lead soloist in front of Evans-led modern groups that include players like Elvin Jones, Ray Crawford, Steve Lacy, Budd Johnson, Rod Levitt, and Chuck Wayne. Despite the "standards" in the ... LP, Vinyl record album
Detroit had plenty of great harmony groups in the 60s – but by the early 70s, The Detroit Emeralds were right on top – a feat that was easy to do with work this great! The trio have a fantastic approach here – a bit of the psychedelic soul sound of the Norman Whitfield generation ... LP, Vinyl record album
A really wonderful album from Ray Barretto – more jazz fusion than his usual 70s salsa – but in a way that we really really love! The album's a crossover gem that has Ray working with Stix Hooper, Joe Sample, and Wilton Felder of The Crusaders – a trio who produced the record, ... LP, Vinyl record album